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180224s2016 au o 000 0 ger d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d JSTOR
|d OCLCO
|d OCLCF
|d OCLCQ
|d OCLCO
|d OCLCQ
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|a 9783990123287
|q (electronic bk.)
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|a 3990123289
|q (electronic bk.)
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|a (OCoLC)1024273347
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|a 22573/ctv6j0b6r
|b JSTOR
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|a ML410.B815
|b M37 2016eb
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|a BIO
|x 004000
|2 bisacsh
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|a 780.92
|2 23
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|a UAMI
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|a Himana, Elisabeth.
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|a Maschinen für die Oper :
|b der Komponist Max Brand : Visionen, Brüche und die Realität = Machines for the opera : the composer Max Brand : visions, turning points, and reality /
|c Elisabeth Schimana (Hg.).
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| 260 |
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|a Wien :
|b Hollitzer Wissenschaftsverlag,
|c 2016.
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| 300 |
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|a 1 online resource (320 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Print version record.
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|a Intro; Inhalt; Contents; VORWORT; FOREWORD; BÃ#x9C;HNE LEBEN; LIVING THE STAGE; MAX BRAND (1896â#x80;#x93;1980); MAX BRANDS ELEKTRONISCHES UTOPIA; MAX BRANDâ#x80;#x99;S ELECTRONIC UTOPIA; KLINGENDER STROM UND SEINE KREISE; SOUND-GENERATING ELECTRICITYAND ITS INFLUENCE; TÃ#x96;NE AUS DEM KARTON; TONES OUT OF CARDBOARD; ZUR ANATOMIE DES MOOGTONIUMS; ON THE ANATOMYOF THE MOOGTONIUM; VIELE ANGEBOTE â#x80;#x93; GERINGE NACHFRAGE; BIG SUPPLY â#x80;#x93; SMALL DEMAND; ZUFALL UND BESTÃ#x84;NDIGKEIT; COINCIDENCE AND CONTINUANCE; DAS ERBE; THE LEGACY; BILDNACHWEIS / PICTURE CREDITS; IMPRESSUM.
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| 590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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| 600 |
1 |
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|a Brand, Max,
|d 1896-1980
|x Criticism and interpretation.
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| 600 |
1 |
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|a Brand, Max,
|d 1896-1980
|v Exhibitions.
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| 600 |
1 |
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|a Brand, Max,
|d 1896-1980.
|2 fast
|0 (OCoLC)fst00325678
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| 650 |
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|a Opera
|v Exhibitions.
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| 650 |
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|a Electronic instruments
|v Exhibitions.
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| 650 |
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6 |
|a Appareils électroniques
|v Expositions.
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| 650 |
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|a BIOGRAPHY & AUTOBIOGRAPHY
|x Composers & Musicians.
|2 bisacsh
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| 650 |
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7 |
|a Electronic instruments.
|2 fast
|0 (OCoLC)fst00907299
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| 650 |
|
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|a Opera.
|2 fast
|0 (OCoLC)fst01046145
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 655 |
|
7 |
|a Exhibition catalogs.
|2 fast
|0 (OCoLC)fst01424028
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| 776 |
0 |
8 |
|i Print version:
|a Himana, Elisabeth.
|t Maschinen für die Oper. Der Komponist Max Brand : Visionen, Brüche und die Realität.
|d Wien : Hollitzer Wissenschaftsverlag, ©2016
|z 9783990123270
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| 856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv6jm9h3
|z Texto completo
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL5274571
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| 994 |
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|a 92
|b IZTAP
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