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Early film culture in Hong Kong, Taiwan, and Republican China : kaleidoscopic histories /
This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema a...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
University of Michigan Press,
2018.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Early film culture in Hong Kong, Taiwan, and Republican China : |b kaleidoscopic histories / |c edited by Emilie Yueh-yu Yeh. |
| 264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c 2018. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed February 21, 2018). | |
| 505 | 0 | |a Introduction -- Part I. Revising historiography : early film culture in Hong Kong, Taiwan, and Guangzhou -- 1. Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong -- 2. Magic lantern shows and screen modernity in colonial Taiwan -- 3. From an imported novelty to an indigenized practices : Hong Kong cinema in the 1920s -- 4. Enlightenment, propaganda, and image creation : a descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937 -- 5. 'Guangzhou Film' and Guangzhou urban culture -- 6. The way of the Platinum Dragon : Xue Juexian and the sound of politics in 1930s Cantonese cinema-- Part II. Intermediaries, cinephiles, and film literati -- 7. Toward the opposite side of 'vulgarity' the birth of cinema as a 'healthful entertainment' and the Shanghai YMCA -- 8. Movie matchmakers : the intermediatries between Hollywood and China in the early twentieth century -- 9. The silver star group : a first attempt at theorizing wenyi in the 1920s -- 10. Forming the movie field : film literati in Republican China -- 11. Rhythmic movement, metaphoric sound, and transcultural transmediality : Liu Na'ou and The man who has a camera (1933) -- Chinese and Japanese glossary. | |
| 520 | |a This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more. | ||
| 542 | 1 | |f This work is licensed under the Creative Commons Attribution-Noncommercial-NoDerivatives 4.0 Unported license |u https://creativecommons.org/licenses/by-nc-nd/4.0 | |
| 546 | |a English. | ||
| 506 | 0 | |a Open Access |5 EbpS | |
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Motion pictures |z China |x History. | |
| 650 | 0 | |a Motion pictures |z China |z Hong Kong |x History. | |
| 650 | 0 | |a Motion pictures |z Taiwan |x History. | |
| 650 | 0 | |a Motion picture industry |z China |x History. | |
| 650 | 0 | |a Motion picture industry |z China |z Hong Kong |x History. | |
| 650 | 0 | |a Motion picture industry |z Taiwan |x History. | |
| 650 | 6 | |a Cinéma |z Chine |x Histoire. | |
| 650 | 6 | |a Cinéma |z Chine |z Hongkong |x Histoire. | |
| 650 | 6 | |a Cinéma |z Taiwan |x Histoire. | |
| 650 | 6 | |a Cinéma |x Industrie |z Chine |x Histoire. | |
| 650 | 6 | |a Cinéma |x Industrie |z Chine |z Hongkong |x Histoire. | |
| 650 | 6 | |a Cinéma |x Industrie |z Taiwan |x Histoire. | |
| 650 | 7 | |a Electronic, holographic & video art. |2 bicssc | |
| 650 | 7 | |a The arts: general issues. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a Motion picture industry |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a China |2 fast | |
| 651 | 7 | |a China |z Hong Kong |2 fast | |
| 651 | 7 | |a Taiwan |2 fast | |
| 653 | |a Arts. | ||
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Yeh, Emilie Yueh-yu, |e editor. | |
| 776 | 0 | 8 | |i Print version: |z 0472053728 |z 9780472053728 |w (OCoLC)1019639449 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt22727c7 |z Texto completo |
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