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The Montpellier codex : the final fascicle : contents, contexts, chronologies /

The Montpellier Codex (Bibliotheque interuniversitaire, Section Medecine, H.196) occupies a central place in scholarship on medieval music. This small book, packed with gorgeous gold leaf illuminations, historiated initials, and exquisite music calligraphy, is one of the most famous of all surviving...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Bradley, Catherine A. (Editor ), Desmond, Karen (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rocheseter, NY : The Boydell Press, 2018.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 4 |a The Montpellier codex :  |b the final fascicle : contents, contexts, chronologies /  |c edited by Catherine A. Bradley, Karen Desmond. 
264 1 |a Rocheseter, NY :  |b The Boydell Press,  |c 2018. 
264 4 |c ©2018 
300 |a 1 online resource (xviii, 334 pages) :  |b illustrations, charts, music 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references (pages 299-312) and indices. 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed March 2, 2018). 
520 8 |a The Montpellier Codex (Bibliotheque interuniversitaire, Section Medecine, H.196) occupies a central place in scholarship on medieval music. This small book, packed with gorgeous gold leaf illuminations, historiated initials, and exquisite music calligraphy, is one of the most famous of all surviving music manuscripts, fundamental to understandings of the development of thirteenth- and fourteenth-century polyphonic composition. At some point in its history an eighth section (fascicle) of 48 folios was appended to the codex: when and why this happened has long perplexed scholars. The forty-three works contained in the manuscript's final section represent a collection of musical compositions, assembled at a complex moment of historical change, straddling the historiographical juncture between the thirteenth and fourteenth centuries. This book provides the first in-depth exploration of the contents and contexts of the Montpellier Codex's final fascicle. It explores the manuscript's production, dating, function, and notation, offering close-readings of individual works, which illuminate compositionally progressive features of the repertoire as well as its interactions with existing musical and poetic traditions, from a variety of perspectives: thirteenth- and fourteenth-century music, art history, and manuscript culture. 
505 0 |a Introduction -- I. Material object. 1. Montpellier 8 : anatomy of ... / Mark Everist ; 2. Palaeographical analysis of the verbal text in Montpellier 8 : problems, implications, opportunities / Sean Curran ; 3. Style and iconography of Montpellier folio 35or / Alison Stones ; 4. Decoration of Montpellier 8 : its place in the continuum of Parisian manuscript illumination / Rebecca A. Baltzer ; 5. Double motet layouts in the Montpellier codex and contemporaneous libri motetorum / Oliver Huck ; 6. Dens in adiutorium revisited : sources and contexts / Eva M. Maschke ; 7. Thematic clusters and compilational strategies in Montpellier 8 / Anna Kathryn Grau -- II. Innovation and tradition. 8. Texture, rhythm, and stylistic groupings in Montpellier 8 motets / Karen Desmond ; 9. Je le temoin en mon chant : the art of diminution in the Petronian triplum / David Maw ; 10. How rhythmically innovative is Montpellier 8? / Mary E. Wolinski ; 11. Re-presentation in the Ars antiqua : from chant to polyphony / Solomon Guhl-Miller ; 12. Que ne dit ̀cief bien seans' : quoting motets in Montpellier 8 / Anne Ibos-Auge -- III. Analytical case studies. 13. Montpellier 8 portare motets and tonal exploration / Dolores Pesce ; 14. Repetitions, rhythmical evolution, and rhetoric in the Montpellier codex / Margaret Dobby ; 15. Shedding light on Mo 8,304 : Alma virgo virginum/Benedicta es, Maria / Rachel Davies ; 16. Performance and reception history of On parole/A Paris/Frese nouvele / Edward Breen. 
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650 7 |a MUSIC  |x Lyrics.  |2 bisacsh 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
700 1 |a Bradley, Catherine A.,  |e editor. 
700 1 |a Desmond, Karen,  |e editor. 
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