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The Films of Bill Morrison : Aesthetics of the Archive /
Avant-garde filmmaker Bill Morrison has been making films that combine archival footage and contemporary music for decades, and he has recently begun to receive substantial recognition: he was the subject of a retrospective at the Museum of Modern Art, and his 2002 film 'Decasia' was selec...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press : EYE Filmmuseum,
[2018]
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| Colección: | Framing film (Amsterdam, Netherlands)
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 4 | |a The Films of Bill Morrison : |b Aesthetics of the Archive / |c Bernd Herzogenrath (ed.). |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press : |b EYE Filmmuseum, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (298 pages) : |b illustrations | ||
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| 520 | 8 | |a Avant-garde filmmaker Bill Morrison has been making films that combine archival footage and contemporary music for decades, and he has recently begun to receive substantial recognition: he was the subject of a retrospective at the Museum of Modern Art, and his 2002 film 'Decasia' was selected for the National Film Registry by the Library of Congress. This is the first book-length study of Morrison's work, covering the whole of his career. It gathers specialists throughout film studies to explore Morrison's "aesthetics of the archive"--His creative play with archival footage and his focus on the materiality of the medium of film | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro; Table of Contents; Acknowledgments; Aesthetics of the Archive â#x80;#x93; Bernd Herzogenrath; 1. Drafts and Fragments â#x80;#x93; André Habib; 2. The Film of Her â#x80;#x93; Dan Streible; 3. Ghost Trip â#x80;#x93; Benjamin Léon; 4. Decasia â#x80;#x93; Bernd Herzogenrath; 5. The Mesmerist â#x80;#x93; Hans Morgenstern; 6. Light is Calling â#x80;#x93; Hanjo Berressem; 7. Gotham â#x80;#x93; David Gersten; 8. Outerborough â#x80;#x93; Jan-Christopher Horak; 9. The Highwater Trilogy â#x80;#x93; Yasmin Afshar; 10. Porch â#x80;#x93; William Cusick; 11. The Future Lasts Long â#x80;#x93; AgnÃs̈ Villete; 12. Who by Water â#x80;#x93; Andrea Pierron; 13. Every Stop on the F-Train â#x80;#x93; Benjamin Betka. | |
| 505 | 8 | |a 14. Spark of Being â#x80;#x93; Bérénice Reynaud15. The Minersâ#x80;#x99; Hymns â#x80;#x93; Simon Popple; 16. Tributes â#x80;#x93; Pulse: A Requiem for the 20th Century â#x80;#x93; Johannes Binotto; 17. Just Ancient Loops â#x80;#x93; Eva Hoffmann; 18. The Great Flood â#x80;#x93; Sukhdev Sandhu; 19. Re-Awakenings â#x80;#x93; Lawrence Weschler; Index of Film Titles; Index of Names; Index of Subjects. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 600 | 1 | 0 | |a Morrison, Bill, |d 1965 November 17- |x Criticism and interpretation. |
| 650 | 7 | |a Film theory and criticism. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 653 | |a Bill Morrison, film, archive, avant-garde. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Herzogenrath, Bernd, |d 1964- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Films of Bill Morrison. |d Amsterdam : Amsterdam University Press ; EYE Filmmuseum, [2018] |z 9789089649966 |w (OCoLC)979568140 |
| 830 | 0 | |a Framing film (Amsterdam, Netherlands) | |
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