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JSTOR_on1019752424 |
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OCoLC |
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20231005004200.0 |
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180117s1987 ctua ob 001 0 eng d |
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|a 87015955
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|a YDX
|b eng
|e pn
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|d JSTOR
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|d OCLCQ
|d UX1
|d OCLCO
|d OCLCQ
|d OCLCO
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|a 1175629362
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|a 9780300237405
|q (electronic bk.)
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|a 0300237405
|q (electronic bk.)
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|z 0300036841
|q (alk. paper)
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|z 9780300036848
|q (alk. paper)
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|a AU@
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|b 000067043588
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|a (OCoLC)1019752424
|z (OCoLC)1175629362
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|a 22573/ctt1xp1sc1
|b JSTOR
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|a MT46
|b .M67 1987eb
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|a 781.6/1
|2 23
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|a UAMI
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1 |
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|a Morris, Robert,
|d 1943-
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1 |
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|a Composition with pitch-classes :
|b a theory of compositional design /
|c Robert D. Morris.
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|a New Haven :
|b Yale University Press,
|c ©1987.
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|a 1 online resource
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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347 |
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|a data file
|2 rda
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|a Includes bibliographical references and index.
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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650 |
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|a Composition (Music)
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650 |
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|a Atonality.
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650 |
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6 |
|a Composition (Musique)
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650 |
|
6 |
|a Atonalité.
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650 |
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7 |
|a Atonality
|2 fast
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650 |
|
7 |
|a Composition (Music)
|2 fast
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776 |
0 |
8 |
|i Print version:
|z 0300036841
|z 9780300036848
|w (DLC) 87015955
|w (OCoLC)16005048
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1xp3ss4
|z Texto completo
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938 |
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|a YBP Library Services
|b YANK
|n 15094365
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994 |
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|a 92
|b IZTAP
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