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Wolfgang Rihm, a chiffre : the 1980s and beyond /
Wolfgang Rihm (b. Karlsruhe, 1952) is the most performed living German composer. With his personal, expressive, and versatile music, he became the most prominent representative of his generation. His individual approach to music was established in the 1980s and he continues to explore and enlarge hi...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Maryland :
Project Muse,
2018.
Leuven, Belgium : Leuven University Press, [2017] |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Knockaert, Yves, |e author. | |
| 245 | 1 | 0 | |a Wolfgang Rihm, a chiffre : |b the 1980s and beyond / |c Yves Knockaert ; with a foreword by Richard McGregor. |
| 260 | |a Baltimore, Maryland : |b Project Muse, |c 2018. | ||
| 260 | |a Leuven, Belgium : |b Leuven University Press, |c [2017] | ||
| 300 | |a 1 online resource (339 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 323-331) and indexes. | ||
| 505 | 0 | |a Part I. Style -- 1. Between classical and individual -- 2. Between modernism and postmodernism -- 3. Musical traces -- 4. Fine arts -- 5. Repetition -- 6. Nature and proportions -- 7. Studying proportions -- part II. Analysis -- 8. Integrated approach -- 9. Parameter characteristics -- 10. String quartet in the 1980s : string quartets nos. 5-8 -- 11. Group formation : Chiffre cycle -- 12. Chiffre cycle : harmony -- 13. Chiffre cycle : resonance -- 14. Chiffre cycle : cyclic elements -- 15. Chiffre cycle : symmetry -- 16. Chiffre cycle : proportions. | |
| 520 | |a Wolfgang Rihm (b. Karlsruhe, 1952) is the most performed living German composer. With his personal, expressive, and versatile music, he became the most prominent representative of his generation. His individual approach to music was established in the 1980s and he continues to explore and enlarge his original concepts today. His 1980s work is at the core of this book, more specifically his instrumental music: the Chiffre cycle and the string quartets. Thinking about Rihm includes reflecting on his interest in philosophy, his relation to fine arts, his awareness of principles found in nature, and his references to important composers from the past. His music is embedded in the past and the actuality in modernism and postmodernism. Notwithstanding Rihm's generosity in essays and introductions to his works, many aspects of the 'inner sound' of his music stay an elusive, ungraspable 'chiffre': a challenge for the analyst. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Rihm, Wolfgang |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Rihm, Wolfgang. |2 fast |0 (OCoLC)fst00064978 |
| 650 | 0 | |a Composers |z Germany |y 20th century. | |
| 650 | 6 | |a Compositeurs |z Allemagne |y 20e siècle. | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a McGregor, Richard, |d 1953- |e writer of foreword. | |
| 776 | 0 | 8 | |i Print version: |z 9789462701236 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt21c4s1z |z Texto completo |
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