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From scratch : writings in music theory /
One of the 20th century's most important musical thinkers, James Tenney did pioneering work in multiple fields, including computer music, tuning theory and algorithmic and computer-assisted composition. 'From Scratch' is a collection of Tenney's hard-to-find writings arranged, ed...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Tenney, James, |e author. | |
| 245 | 1 | 0 | |a From scratch : |b writings in music theory / |c James Tenney ; edited by Larry Polansky, Lauren Pratt, Robert Wannamaker, and Michael Winter. |
| 246 | 3 | 0 | |a Writings in music theory |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; (viewed 2020-05-15). | |
| 505 | 0 | |a Cover; Title; Copyright; Contents; Acknowledgments; Notes on the Edition; Introduction by Larry Polansky; 1. On the Development of the Structural Potentialities of Rhythm, Dynamics, and Timbre in the Early N; 2. Meta / Hodos (1961); 3. Computer Music Experiences, 1961-1964 (1964); 4. On the Physical Correlates of Timbre (1965); 5. Excerpts from "An Experimental Investigation of Timbre-the Violin" (1966); 6. Form in Twentieth-Century Music (1969-70); 7. META Meta / Hodos (1975); 8. The Chronological Development of Carl Ruggles's Melodic Style (1977). | |
| 505 | 8 | |a 9 Hierarchical Temporal Gestalt Perception in Music A Metric Space Model (with Larry Polansky) (197810. Introduction to "Contributions toward a Quantitative Theory of Harmony" (1979); 11. The Structure of Harmonic Series Aggregates (1979); 12. John Cage and the Theory of Harmony (1983); 13. Reflections after Bridge (1984); 14. Review of Music as Heard by Thomas Clifton (1985); 15. About Changes: Sixty-Four Studies for Six Harps (1987); 16. Darmstadt Lecture (1990); 17. The Several Dimensions of Pitch (1993/2003); 18. On "Crystal Growth" in Harmonic Space (1993/2003); 19. About Diapason (1996). | |
| 505 | 8 | |a Appendix 1. Pre-Meta / Hodos (1959)Appendix 2. On Musical Parameters (ca. 1960-61); Appendix 3. Excerpt from A History of 'Consonance' and 'Dissonance' (1988); Publication History; Notes; Index. | |
| 520 | 8 | |a One of the 20th century's most important musical thinkers, James Tenney did pioneering work in multiple fields, including computer music, tuning theory and algorithmic and computer-assisted composition. 'From Scratch' is a collection of Tenney's hard-to-find writings arranged, edited and revised by the self-described 'composer/theorist.' | |
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| 650 | 0 | |a Music theory |x History |y 20th century. | |
| 650 | 6 | |a Théorie musicale |x Histoire |y 20e siècle. | |
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| 700 | 1 | |a Pratt, Lauren, |e editor. | |
| 700 | 1 | |a Wannamaker, Rob, |e editor. | |
| 700 | 1 | |a Winter, Michael, |d 1980- |e editor. | |
| 700 | 1 | |a Polansky, Larry, |d 1954- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t From scratch. |d Urbana : University of Illinois Press, [2015] |z 9780252038723 |w (DLC) 2015944784 |
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