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|a 10.3998/mpub.9560572
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|a UAMI
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|a Roman artists, patrons, and public consumption :
|b familiar works reconsidered /
|c edited by Brenda Longfellow and Ellen E. Perry.
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|a Ann Arbor :
|b University of Michigan Press,
|c 2017.
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|c ©2018
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|a 1 online resource (xiv, 255 pages, 16 unnumbered pages of plates) :
|b illustrations
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|a text
|b txt
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|a computer
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|a online resource
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|a Includes bibliographical references and index.
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|a Beyond surprise : looking again at the Sleeping hermaphrodite in the Palazzo Massimo / Jennifer Trimble -- Dismembering a sacred cow : the Extispicium relief in the Louvre / Melanie Grunow Sobocinski and Elizabeth Wolfram Thill -- The Salutaris foundation : monumentality through periodic rehearsal / Diana Y. Ng -- From mystery masterpiece to Roman artwork : the journey of the Aspasia statue type in the Roman Empire / Lea M. Stirling -- The Sebaste Apollo : form, function, and local meaning / Elise Friedland -- At face value : painted ladies on Pompeiian walls / Bettina Bergmann -- Marriage divine? narratives of the courtship of Mars and Venus in Roman painting and poetry / Molly Swetnam-Burland -- Beyond high and low : the beauty of beasts at the House of the Citharist in Pompeii / Barbara Kellum -- The votive relief from House V.3.10 in Pompeii : new perspectives on a sculpture and its context / Jessica Powers.
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|a Print version record.
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|a "In recent decades, the study of Roman art has shifted focus dramatically from issues of connoisseurship, typology, and chronology to analyses of objects within their contemporary contexts and local environments. Scholars challenge the notion, formerly taken for granted, that extant historical texts-the writings of Vitruvius, for example-can directly inform the study of architectural remains. Roman-era statues, paintings, and mosaics are no longer dismissed as perfunctory replicas of lost Greek or Hellenistic originals; they are worthy of study in their own right. Further, the scope of what constitutes Roman art has expanded to include the vast spectrum of objects used in civic, religious, funerary, and domestic contexts and from communities across the Roman Empire. The work gathered in Roman Artists, Patrons, and Public Consumption displays the breadth and depth of scholarship in the field made possible by these fundamental changes. The first five essays approach individual objects and artistic tropes, as well as their cultural contexts and functions, from fresh and dynamic angles. The latter essays focus on case studies in Pompeii, demonstrating how close visual analysis firmly rooted in local and temporal contexts not only strengthens understanding of ancient interactions with monuments but also sparks a reconsideration of long-held assumptions reinforced by earlier scholarship. These rigorous essays reflect and honor the groundbreaking scholarship of Elaine K. Gazda. In addition to volume editors Brenda Longfellow and Ellen E. Perry, contributors include Bettina Bergmann, Elise Friedland, Barbara Kellum, Diana Y. Ng, Jessica Powers, Melanie Grunow Sobocinski, Lea M. Stirling, Molly Swetnam-Burland, Elizabeth Wolfram Thill, and Jennifer Trimble."
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Art and society
|z Rome.
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|a Art, Roman
|x Themes, motives.
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|a Art et société
|z Rome.
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|a Art romain
|x Thèmes, motifs.
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|a ART
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|a Art and society.
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|0 (OCoLC)fst00815432
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650 |
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|a Art, Roman
|x Themes, motives.
|2 fast
|0 (OCoLC)fst00816816
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|a Rome (Empire)
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|0 (OCoLC)fst01204885
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|a Electronic books.
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|a Longfellow, Brenda,
|d 1973-
|e editor.
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1 |
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|a Perry, Ellen,
|d 1965-
|e editor.
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776 |
0 |
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|i Print version:
|t Roman artists, patrons, and public consumption.
|d Ann Arbor : University of Michigan Press, 2017
|z 9780472130658
|w (DLC) 2017037671
|w (OCoLC)1000385902
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856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3998/mpub.9560572
|z Texto completo
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|a ProQuest Ebook Central
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