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|a Alonso González, Pablo,
|e author.
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|a Cuban cultural heritage :
|b a rebel past for a revolutionary nation /
|c Pablo Alonso González ; foreword by Paul A. Shackel.
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|a Gainesville :
|b University Press of Florida,
|c [2018]
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|c ©2018
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|a 1 online resource (xiv, 335 pages) :
|b illustrations, maps
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|a text
|b txt
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|a Cultural heritage studies
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|a "Effectively analyzes the evolving shape of the heritage discourse across these periods and casts light on the nature of heritage production in socialist and postcolonial societies globally."--Paul B. Niell, author of Urban Space as Heritage in Late Colonial Cuba: Classicism and Dissonance on the Plaza de Armas of Havana, 1754-1828"Aptly shows how cultural and historical heritage have played a key role during a century of deep social and political change in Cuba."--Carmen Ortiz García, Spanish National Research Council Cuban Cultural Heritage explores the role that cultural heritage and museums played in the construction of a national identity in postcolonial Cuba. Starting with independence from Spain in 1898 and moving through Cuban-American rapprochement in 2014, Pablo Alonso González illustrates how political and ideological shifts have influenced ideas about heritage and how, in turn, heritage has been used by different social actors to reiterate their status, spread new ideologies, and consolidate political regimes. Unveiling the connections between heritage, power, and ideology, Alonso Gonzalez delves into the intricacies of Cuban history, covering key issues such as Cuba's cultural and political relationships with Spain, the United States, the Soviet Union, and so-called Third World countries; the complexities of Cuba's status as a postcolonial state; and the potential future paths of the Revolution in the years to come. This volume offers a detailed look at the function and place of cultural heritage under socialist states.
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|a Introduction -- Negotiating the past, representing the nation: the contested uses of heritage during the Republic (1898-1959) -- Heritage as passion: the early years of the Cuban Revolution (1959-1973) -- The institutionalization of the Cuban heritage field (1973-1990) -- The reification of ideology as heritage and the return of the nation between 1990 and 2014 -- The office of the city historian of Havana and the nation as heritage after 1990: a path towards reconciliation or towards touristification? -- The coloniality of heritage in postcolonial Cuba.
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|a Print version record.
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|a Includes bibliographical references and index. Description based on online resource; title from PDF title page (EBC, viewed February 8, 2018).
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|a JSTOR
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|a Cuba
|x History.
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|a Cuba
|x Social life and customs.
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|a Cuba
|x Civilization.
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|a Cuba
|x Histoire.
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|a Cuba
|x Civilisation.
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|a HISTORY
|z Latin America
|x Mexico.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
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|a Civilization
|2 fast
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|a Manners and customs
|2 fast
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|a Cuba
|2 fast
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|a History
|2 fast
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|a Shackel, Paul A.,
|e writer of foreword.
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|i Print version:
|a Alonso González, Pablo.
|t Cuban cultural heritage.
|d Gainesville, FL : University Press of Florida, [2018]
|z 9780813056630
|w (DLC) 2017031774
|w (OCoLC)982651118
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830 |
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|a Cultural heritage studies.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvx07534
|z Texto completo
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