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Trash cinema : the lure of the low /
This volume explores the lower reaches of cinema and its paradoxical appeal. It looks at films from the B-movies of the 1930s to the mockbusters of today, and from the New York underground to the genre variations of Turkey's Yesilçam studios (and their YouTube afterlife). Critically examining...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Wallflower Press,
[2017]
|
| Colección: | Short cuts (London, England) ;
65. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Barefoot, Guy, |d 1957- |e author. | |
| 245 | 1 | 0 | |a Trash cinema : |b the lure of the low / |c Guy Barefoot. |
| 264 | 1 | |a London ; |a New York : |b Wallflower Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (vii, 126 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Short cuts ; |v 65 | |
| 500 | |a "A Wallflower Press book, published by Columbia University Press"--Title page verso | ||
| 504 | |a Includes filmography (pages 108-111), bibliographical references (pages 112-123) , and index. | ||
| 505 | 0 | |a 1. Definitions and debates -- 2. Before the 1960s : from B to Z -- 3. Trash aesthetics -- 4. The cult of trash -- 5. From Flash Gordon to Baytekin. | |
| 520 | |a This volume explores the lower reaches of cinema and its paradoxical appeal. It looks at films from the B-movies of the 1930s to the mockbusters of today, and from the New York underground to the genre variations of Turkey's Yesilçam studios (and their YouTube afterlife). Critically examining the reasons for studying, denigrating, or celebrating the detritus of film history, it also considers the place of a trash aesthetic within and beyond 1960s American avant-garde and looks at the cult of trash in the fanzines of the 1980s. It draws on debates about cult, paracinema, and camp, arguing that trash cinema exists in relation to these but brings with it a particular history that includes the ordinary as well as the strange. Trash Cinema places these debates, and the strand of self-proclaimed low culture that emerged in the second half of the twentieth century, within a historical and international perspective. It focuses on American cinema history but addresses Eurotrash reception as well as the related field of garbology, examining trash cinema as a distinct but fluid category.-- |c Provided by publisher. | ||
| 545 | 0 | |a Guy Barefoot is associate professor of film studies at the University of Leicester. He is the author of The Lost Jungle: Cliffhanger Action and Hollywood Serials of the 1930s and 1940s (2016). | |
| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a Sensationalism in motion pictures. | |
| 650 | 0 | |a Cult films |x History and criticism. | |
| 650 | 6 | |a Sensationnalisme au cinéma. | |
| 650 | 6 | |a Films cultes |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Cult films |2 fast | |
| 650 | 7 | |a Sensationalism in motion pictures |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Barefoot, Guy, 1957- |t Trash cinema. |d London ; New York : Wallflower, [2017] |z 0231180373 |w (OCoLC)964378521 |
| 830 | 0 | |a Short cuts (London, England) ; |v 65. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7312/bare18037 |z Texto completo |
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