Cargando…
Where no Black woman has gone before : subversive portrayals in speculative film and TV /
<P>When Lieutenant Uhura took her place on the bridge of the Starship <em>Enterprise</em> on <em>Star Trek</em>, the actress Nichelle Nichols went where no African American woman had ever gone before. Yet several decades passed before many other black women began playin...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
2018.
|
| Edición: | First edition. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1014123261 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 171207s2018 txu ob s001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d YDX |d EBLCP |d OCLCF |d MERUC |d INT |d NRC |d OCLCQ |d K6U |d OCLCO |d OCLCA |d OCLCQ |d OCL |d OCLCO |d JSTOR |d OCLCA |d UKAHL |d OCLCQ |d TXSCH | ||
| 020 | |a 9781477315248 |q (electronic bk.) | ||
| 020 | |a 1477315241 |q (electronic bk.) | ||
| 020 | |a 9781477315255 |q (nonlibrary e-book) | ||
| 020 | |a 147731525X |q (nonlibrary e-book) | ||
| 020 | |z 9781477315224 | ||
| 020 | |z 1477315225 | ||
| 020 | |z 9781477315231 | ||
| 020 | |z 1477315233 | ||
| 029 | 1 | |a AU@ |b 000062592047 | |
| 029 | 1 | |a ZWZ |b 254836461 | |
| 035 | |a (OCoLC)1014123261 | ||
| 037 | |a 22573/ctv2dmmqv2 |b JSTOR | ||
| 050 | 4 | |a PN1995.9.N4 |b M25 2018eb | |
| 072 | 7 | |a PER |x 009000 |2 bisacsh | |
| 072 | 7 | |a PER |x 004140 |2 bisacsh | |
| 072 | 7 | |a PER |x 010110 |2 bisacsh | |
| 072 | 7 | |a SOC |x 056000 |2 bisacsh | |
| 082 | 0 | 4 | |a 791.43/652996073 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Mafe, Diana Adesola, |e author. | |
| 245 | 1 | 0 | |a Where no Black woman has gone before : |b subversive portrayals in speculative film and TV / |c Diana Adesola Mafe. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Austin : |b University of Texas Press, |c 2018. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : to boldly go -- Seeking a friend for the end of the world : 28 Days Later -- Last one standing : Alien vs. Predator -- The black Madonna : Children of Men -- Thank heaven for little girls : Beasts of the Southern Wild -- Intergalactic companions : Firefly and Doctor Who -- Coda : final frontiers. | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed December 7, 2017). | |
| 520 | |a <P>When Lieutenant Uhura took her place on the bridge of the Starship <em>Enterprise</em> on <em>Star Trek</em>, the actress Nichelle Nichols went where no African American woman had ever gone before. Yet several decades passed before many other black women began playing significant roles in speculative (i.e., science fiction, fantasy, and horror) film and television?a troubling omission, given that these genres offer significant opportunities for reinventing social constructs such as race, gender, and class. Challenging cinema?s history of stereotyping or erasing black women on-screen, <em>Where No Black Woman Has Gone Before </em>showcases twenty-first-century examples that portray them as central figures of action and agency.</p><p>Writing for fans as well as scholars, Diana Adesola Mafe looks at representations of black womanhood and girlhood in American and British speculative film and television, including <em>28 Days Later</em>, <em>AVP: Alien vs. Predator</em>, <em>Children of Men</em>, <em>Beasts of the Southern Wild</em>, <em>Firefly</em>, and <em>Doctor Who: Series 3</em>. Each of these has a subversive black female character in its main cast, and Mafe draws on critical race, postcolonial, and gender theories to explore each film and show, placing the black female characters at the center of the analysis and demonstrating their agency. The first full study of black female characters in speculative film and television, <em>Where No Black Woman Has Gone Before</em> shows why heroines such as Lex in <em>AVP</em> and Zo? in <em>Firefly</em> are inspiring a generation of fans, just as Uhura did.</p> | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Women, Black, in motion pictures. | |
| 650 | 0 | |a Women on television. | |
| 650 | 0 | |a Black people on television. | |
| 650 | 0 | |a Sex role in motion pictures. | |
| 650 | 0 | |a Sex role on television. | |
| 650 | 0 | |a Science fiction films |x History and criticism. | |
| 650 | 0 | |a Fantasy films |x History and criticism. | |
| 650 | 0 | |a Horror films |x History and criticism. | |
| 650 | 0 | |a Science fiction television programs |x History and criticism. | |
| 650 | 0 | |a Horror television programs |x History and criticism. | |
| 650 | 0 | |a Fantasy television programs |x History and criticism. | |
| 650 | 0 | |a Motion pictures |x History |y 21st century. | |
| 650 | 0 | |a Television programs |x History |y 21st century. | |
| 650 | 6 | |a Femmes à la télévision. | |
| 650 | 6 | |a Personnes noires à la télévision. | |
| 650 | 6 | |a Rôle selon le sexe au cinéma. | |
| 650 | 6 | |a Rôle selon le sexe à la télévision. | |
| 650 | 6 | |a Films de science-fiction |x Histoire et critique. | |
| 650 | 6 | |a Films fantastiques |x Histoire et critique. | |
| 650 | 6 | |a Films d'horreur |x Histoire et critique. | |
| 650 | 6 | |a Émissions de science-fiction télévisées |x Histoire et critique. | |
| 650 | 6 | |a Émissions d'horreur télévisées |x Histoire et critique. | |
| 650 | 6 | |a Émissions fantastiques télévisées |x Histoire et critique. | |
| 650 | 6 | |a Cinéma |x Histoire |y 21e siècle. | |
| 650 | 6 | |a Émissions télévisées |x Histoire |y 21e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Black people on television. |2 fast |0 (OCoLC)fst00834035 | |
| 650 | 7 | |a Fantasy films. |2 fast |0 (OCoLC)fst00920825 | |
| 650 | 7 | |a Fantasy television programs. |2 fast |0 (OCoLC)fst00920918 | |
| 650 | 7 | |a Horror films. |2 fast |0 (OCoLC)fst00960370 | |
| 650 | 7 | |a Horror television programs. |2 fast |0 (OCoLC)fst00960449 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Science fiction films. |2 fast |0 (OCoLC)fst01108616 | |
| 650 | 7 | |a Science fiction television programs. |2 fast |0 (OCoLC)fst01108632 | |
| 650 | 7 | |a Sex role in motion pictures. |2 fast |0 (OCoLC)fst01114654 | |
| 650 | 7 | |a Sex role on television. |2 fast |0 (OCoLC)fst01114658 | |
| 650 | 7 | |a Television programs. |2 fast |0 (OCoLC)fst01147026 | |
| 650 | 7 | |a Women, Black, in motion pictures. |2 fast |0 (OCoLC)fst01905167 | |
| 650 | 7 | |a Women on television. |2 fast |0 (OCoLC)fst01178239 | |
| 648 | 7 | |a 2000-2099 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7560/315224 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH38419284 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL5181671 | ||
| 938 | |a EBSCOhost |b EBSC |n 1649754 | ||
| 938 | |a YBP Library Services |b YANK |n 15029688 | ||
| 994 | |a 92 |b IZTAP | ||