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Revolution Plus Love : Literary History, Women's Bodies, and Thematic Repetition in Twentieth-Century Chinese Fiction /
In the aftermath of the May Fourth movement, a growing expectation of revolution raised important intellectual issues about the position of the individual within a society in turmoil and the shifting boundaries of political and sexual identities. The theme of "revolution plus love," a lite...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Honolulu :
University of Hawaii Press,
[2003]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Jianmei, Liu, |e author. | |
| 245 | 1 | 0 | |a Revolution Plus Love : |b Literary History, Women's Bodies, and Thematic Repetition in Twentieth-Century Chinese Fiction / |c Liu Jianmei. |
| 264 | 1 | |a Honolulu : |b University of Hawaii Press, |c [2003] | |
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Chapter I. Introduction / |r Russell, Lynette -- |t Chapter 2. From Beats to Cybersex: Australian Gay Male Appropriation of Public Spaces / |r Moore, Clive -- |t Chapter 3. The Nonsurgical Option: Deciding Not to Decide about Gender Identity / |r McDonald, Myfanwy -- |t Chapter 4. Non-Anglo and Non-Aboriginal Australian: Multiculturalism, the Third Side of the Black/White Divide / |r Cohen, Erez -- |t Chapter 5. Cultural Calculus: Cultural Translation and the Politics of Indigenous Cultural Property / |r Pritchard, Stephen -- |t Chapter 6. ". . . different lives in different places": A Space for Multiple White Identities through Aboriginal Rock Music / |r Reed, Liz -- |t Chapter 7. Indigenous Rights and the Mutability of Cultures: Tradition, Change, and the Politics of Recognition / |r David, Bruno -- |t Chapter 8. Beyond Orality and Literacy: Textuality, Modernity, and Representation in Gularabulu: Stories from the West Kimberley / |r Grossman, Michele -- |t Chapter 9. Rom and the Academy Repositioned: Binary Models in Yolŋu Intellectual Traditions and their Application to Wider Intercultural Dialogues / |r Corn, Aaron / Gumbula, Neparrŋa -- |t Contributors -- |t Index |
| 520 | |a In the aftermath of the May Fourth movement, a growing expectation of revolution raised important intellectual issues about the position of the individual within a society in turmoil and the shifting boundaries of political and sexual identities. The theme of "revolution plus love," a literary response to the widespread insurrections and upheaval, was first popularized in the late 1920s. In her examination of this popular but understudied literary formula, Liu Jianmei argues that revolution and love are culturally variable entities, their interplay a complex and constantly changing literary practice that is socially and historically determined. Liu looks at the formulary writing of "revolution plus love" from the 1930s to the 1970s as a case study of literary politics. Favored by leftist writers during the early period of revolutionary literature, it continued to influence mainstream Chinese literature up to the 1970s. By drawing a historical picture of the articulation and rearticulation of this theme, Liu shows how changes in revolutionary discourse force unpredictable representations of gender rules and power relations, and how women's bodies reveal the complex interactions between political representation and gender roles. Revolution Plus Love is a nuanced and carefully considered work on gender and modernity in China, unmatched in its broad use of literary resources. It will be of considerable interest to scholars and students of modern Chinese literature, women's studies, cultural studies, and comparative literature. | ||
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
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| 650 | 6 | |a Roman chinois |y 20e siècle |x Histoire et critique. | |
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| 648 | 7 | |a 1900-1999 |2 fast | |
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