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|a UAMI
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|a Bachner, Andrea,
|e author.
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|a The Mark of Theory :
|b Inscriptive Figures, Poststructuralist Prehistories /
|c Andrea Bachner.
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|a First edition.
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|a New York, NY :
|b Fordham University Press,
|c 2018.
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|a 1 online resource
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|a text
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|a online resource
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|a Includes bibliographical references and index.
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|a At the scene of inscription -- Savage marks: subjection and the specters of anthropology -- Impact erasure: psychoanalysis and the multiplication of trauma -- Stings of visibility: picture theories and visual contact -- Out of the groove: aural traces and the mediation of sound -- Against inscription?
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|a Print version record.
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|a What imaginaries, tropes, and media have shaped how we theorise? 'The Mark of Theory' argues that inscription constitutes one of the master metaphors of contemporary theory. As a trope that draws on a wide array of practices of marking, from tattooing to circumcision, from photographic imprints and phonographic grooves to marks on a page, inscription provides an imaginary that orients and irritates theoretical thought. Tracing inscriptive imaginaries from the late 19th century to today, the work offers a wide-ranging conceptual genealogy of contemporary thought.
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|a JSTOR
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|a Knowledge, Theory of.
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|a Inscriptions.
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|a Théorie de la connaissance.
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|a epistemology.
|2 aat
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|a PHILOSOPHY
|x Epistemology.
|2 bisacsh
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|a Inscriptions
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|a Knowledge, Theory of
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|i Print version:
|a Bachner, Andrea.
|t Mark of Theory.
|d New York : Fordham University Press, 2017
|z 9780823277490
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1xhr783
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