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Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return /
In the years of rapid economic growth following the protest movements of the 1960s, artists and intellectuals in Japan searched for a means of direct impact on the whirlwind of historical and cultural transformations of their time. Yet while the artists often called for such "direct" encou...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Mass. :
Harvard University Asia Center,
2011.
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| Colección: | Harvard East Asian monographs ;
329. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: death acts (survival acts)
- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment
- Terayama Shuji: gender, power, and the imperative voice
- Blindness and the visuality of desire
- Intersubjective spaces, communal dreams
- Theories of encounter. Theories of encounter: breaking the everyday
- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings
- On homecoming: Hijikata's writings and Buto
- Provoke era: new languages of Japanese photography
- Conclusion: counterfeit coins, phantasms.