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Picturing heaven in early China /

Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an ou...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Tseng, Lillian Lan-ying (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Mass. : Harvard University Asia Center for the Harvard-Yenching Institute, 2011.
Colección:Harvard East Asian monographs ; 336.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Introduction: Images and references -- Constructing the cosmic view -- Engraving auspicious omens -- Imaging celestial journeys -- Highlight celestial markers -- Mapping celestial bodies -- Conclusion: Visibility and visuality. 
520 |a Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed an immortal realm to which humans could ascend after death. Using excavated materia. 
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650 0 |a Art, Chinese  |y Qin-Han dynasties, 221 B.C.-220 A.D.  |x Themes, motives. 
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648 7 |a 221 B.C.-220 A.D.  |2 fast 
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