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Archiveology : Walter Benjamin and archival film practices /
"In Archiveology Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology--the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers--provides ways to imagine the past and the future. Noting how the film archive does not...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2018.
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| Colección: | Camera obscura book (Duke University Press)
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Russell, Catherine, |d 1959- |e author. | |
| 245 | 1 | 0 | |a Archiveology : |b Walter Benjamin and archival film practices / |c Catherine Russell. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (269 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a A Camera Obscura Book | |
| 504 | |a Filmography: pages 245-246. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction to archiveology -- Walter Benjamin and the language of the moving image archive -- The cityscape in pieces -- Collecting images -- Phantasmagoria and critical cinephilia -- Awakening from the gendered archive. | |
| 520 | |a "In Archiveology Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology--the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers--provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Védrès's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory."-- |c Provided by publisher. | ||
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2011. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2011 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Benjamin, Walter, |d 1892-1940. |
| 600 | 1 | 7 | |a Benjamin, Walter, |d 1892-1940. |2 fast |0 (OCoLC)fst00052359 |
| 600 | 1 | 7 | |a Benjamin, Walter |d 1892-1940 |2 gnd |
| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 650 | 0 | |a Film archives. | |
| 650 | 0 | |a Archives. | |
| 650 | 0 | |a Motion picture film. | |
| 650 | 0 | |a Records. | |
| 650 | 6 | |a Archives cinématographiques. | |
| 650 | 6 | |a Archives. | |
| 650 | 6 | |a Films (Pellicules cinématographiques) | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Library & Information Science |x Archives & Special Libraries. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Records. |2 fast |0 (OCoLC)fst01091659 | |
| 650 | 7 | |a Archives. |2 fast |0 (OCoLC)fst00814030 | |
| 650 | 7 | |a Film archives. |2 fast |0 (OCoLC)fst00924254 | |
| 650 | 7 | |a Motion picture film. |2 fast |0 (OCoLC)fst01027135 | |
| 650 | 7 | |a Filmarchiv |2 gnd | |
| 776 | 0 | 8 | |i Print version: |a Russell, Catherine, 1959- |t Archiveology. |d Durham : Duke University Press, 2018 |z 9780822370451 |w (DLC) 2017039264 |w (OCoLC)985764069 |
| 830 | 0 | |a Camera obscura book (Duke University Press) | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11smp1q |z Texto completo |
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