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The new gay for pay : the sexual politics of American television production /

Television conveys powerful messages about sexual identities, and popular shows such as Will & Grace, Ellen, Glee, Modern Family, and The Fosters are often credited with building support for gay rights, including marriage equality. At the same time, however, many dismiss TV's portrayal of L...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Himberg, Julia (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2017.
Edición:First edition.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The new gay for pay :  |b the sexual politics of American television production /  |c Julia Himberg. 
250 |a First edition. 
264 1 |a Austin :  |b University of Texas Press,  |c 2017. 
300 |a 1 online resource 
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504 |a Includes bibliographical references and index. 
505 0 |a Visibility : lesbian programming and the changing landscape of cable television -- Advocacy : hitching activism to modern family's gay wedding -- Diversity : under-the-radar activism and the crafting of sexual identities -- Equality : proposition 8 and the politics of marriage on television -- Conclusion : the personal is still political (and profitable). 
520 8 |a Television conveys powerful messages about sexual identities, and popular shows such as Will & Grace, Ellen, Glee, Modern Family, and The Fosters are often credited with building support for gay rights, including marriage equality. At the same time, however, many dismiss TV's portrayal of LGBT characters and issues as "gay for pay"--That is, apolitical and exploitative programming created simply for profit. In The New Gay for Pay, Julia Himberg moves beyond both of these positions to investigate the complex and multifaceted ways that television production participates in constructing sexuality, sexual identities and communities, and sexual politics. Himberg examines the production stories behind explicitly LGBT narratives and characters, studying how industry workers themselves negotiate processes of TV development, production, marketing, and distribution. She interviews workers whose views are rarely heard, including market researchers, public relations experts, media advocacy workers, political campaigners designing strategies for TV messaging, and corporate social responsibility department officers, as well as network executives and producers. Thoroughly analyzing their comments in the light of four key issues-visibility, advocacy, diversity, and equality-Himberg reveals how the practices and belief systems of industry workers generate the conceptions of LGBT sexuality and political change that are portrayed on television 
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650 0 |a Homosexuality on television. 
650 0 |a Television and gays  |z United States. 
650 0 |a Homosexuality and television  |z United States. 
650 0 |a Gender identity on television. 
650 0 |a Television programs  |x Social aspects  |z United States. 
650 0 |a Television programs  |x Political aspects  |z United States. 
650 6 |a Homosexualité à la télévision. 
650 6 |a Télévision et homosexuels  |z États-Unis. 
650 6 |a Homosexualité et télévision  |z États-Unis. 
650 6 |a Identité de genre à la télévision. 
650 6 |a Émissions télévisées  |x Aspect social  |z États-Unis. 
650 6 |a Émissions télévisées  |x Aspect politique  |z États-Unis. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a PERFORMING ARTS / Television / History & Criticism  |2 bisacsh 
650 7 |a Gender identity on television  |2 fast 
650 7 |a Homosexuality and television  |2 fast 
650 7 |a Homosexuality on television  |2 fast 
650 7 |a Television and gays  |2 fast 
650 7 |a Television programs  |x Social aspects  |2 fast 
651 7 |a United States  |2 fast 
776 0 8 |i Print version:  |a Himberg, Julia.  |t New gay for pay.  |b First edition.  |d Austin : University of Texas Press, 2017  |z 9781477313596  |w (DLC) 2017020579  |w (OCoLC)982650459 
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