REMEX : toward an art history of the NAFTA era /

REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994-2008). Marshaling over a decade's worth of archival research, interviews, and participant observation in Mexico City and the Mexican-US b...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Carroll, Amy Sara, 1967- (Autor)
Formato: Documento de Gobierno Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2018.
Edición:First edition.
Temas:
North American Free Trade Agreement (1992 December 17)
1900-2099
Arts, Mexican > 20th century > Themes, motives.
Arts, Mexican > 21st century > Themes, motives.
Arts and society > Mexican-American Border Region > History > 20th century.
Arts and society > Mexican-American Border Region > History > 21st century.
Arts > Political aspects > Mexican-American Border Region > History > 20th century.
Arts > Political aspects > Mexican-American Border Region > History > 21st century.
Arts mexicains > 20e siècle > Thèmes, motifs.
Arts mexicains > 21e siècle > Thèmes, motifs.
Arts et société > Région frontalière mexicano-américaine > Histoire > 21e siècle.
ART > Performance.
ART > Reference.
ART / History / Contemporary (1945-)
Arts > Political aspects.
Arts and society.
Art and society.
Arts, Mexican.
Free trade > Social aspects.
National characteristics in art.
Neo-Mexicanism.
North America > Mexican-American Border Region.
Mexico.
North America.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Prelude: The allegorical performative
  • Introduction: Remix : re: Mex : REMEX : toward an art history of the NAFTA era
  • City. NAFTA-Era Performance and Conceptualism's Prehistory. Mexico City, readymade : The "Pias Forms," Mexico's 1968, and Los Grupos
  • "Naco" as the taco : No-grupo, Maris Bustamante's La Patente del Taco, and Melquiades Herrera's Object Lifeworlds
  • Post-1994 GDPS and Labor Wars : Institutional Critique and Incorporation. The almost Ex Teresa Generation
  • Vicente Razo's Anthropological Materialism
  • Yoshua Okón's Art and Administration
  • Minerva Cuevas's Logocentrism
  • Francis Alÿs, Santiago Sierra, and the Age of Cuauhtémoc
  • Teresa Margolles, Remaindered
  • Woman. ¿Desmodernidad? : Literalists to the Core!. Polvo de Gallina Negra's Maternal Prosthesis
  • Lorena Wolffer's "El Derecho de Réplica"
  • Katia Tirado's Pub(l)ic Niches
  • Silvia Gruner's fucked-up ethnographies
  • Nao Bustamante's inter-American pageantry
  • Border. NAFTA-Era Performance and Conceptualism's Prehistory. Art and design : the Mexico-US border after 1965
  • The border art workshop/Taller de Arte Fronterizo's Open Door and Laboratory
  • Post-1994 GDPS and Labor Wars : Institutional Critique and Incorporation. Guillermo Gómez-Peña's "North American Free Art Agreement"
  • inSITE specificity/Tijuana, capital of the twenty-first century
  • From undocumentation to the undocumentary (Alex Rivera, Sergio Arau, and Yareli Arizmendi, Lourdes Portillo, Ursula Biemann, Sergio De La Torre, and Vicky Funari, Chantal Akerman, Natalia Almada, ______)
  • Postlude: Remix : re: Mex : REMEX : untoward art histories of the third millennium.

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