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REMEX : toward an art history of the NAFTA era /
REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994-2008). Marshaling over a decade's worth of archival research, interviews, and participant observation in Mexico City and the Mexican-US b...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Documento de Gobierno Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
2018.
|
| Edición: | First edition. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Carroll, Amy Sara, |d 1967- |e author. | |
| 245 | 1 | 0 | |a REMEX : |b toward an art history of the NAFTA era / |c Amy Sara Carroll. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Austin : |b University of Texas Press, |c 2018. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Prelude: The allegorical performative -- Introduction: Remix : re: Mex : REMEX : toward an art history of the NAFTA era -- City. NAFTA-Era Performance and Conceptualism's Prehistory. Mexico City, readymade : The "Pias Forms," Mexico's 1968, and Los Grupos -- "Naco" as the taco : No-grupo, Maris Bustamante's La Patente del Taco, and Melquiades Herrera's Object Lifeworlds -- Post-1994 GDPS and Labor Wars : Institutional Critique and Incorporation. The almost Ex Teresa Generation -- Vicente Razo's Anthropological Materialism -- Yoshua Okón's Art and Administration -- Minerva Cuevas's Logocentrism -- Francis Alÿs, Santiago Sierra, and the Age of Cuauhtémoc -- Teresa Margolles, Remaindered -- Woman. ¿Desmodernidad? : Literalists to the Core!. Polvo de Gallina Negra's Maternal Prosthesis -- Lorena Wolffer's "El Derecho de Réplica" -- Katia Tirado's Pub(l)ic Niches -- Silvia Gruner's fucked-up ethnographies -- Nao Bustamante's inter-American pageantry -- Border. NAFTA-Era Performance and Conceptualism's Prehistory. Art and design : the Mexico-US border after 1965 -- The border art workshop/Taller de Arte Fronterizo's Open Door and Laboratory -- Post-1994 GDPS and Labor Wars : Institutional Critique and Incorporation. Guillermo Gómez-Peña's "North American Free Art Agreement" -- inSITE specificity/Tijuana, capital of the twenty-first century -- From undocumentation to the undocumentary (Alex Rivera, Sergio Arau, and Yareli Arizmendi, Lourdes Portillo, Ursula Biemann, Sergio De La Torre, and Vicky Funari, Chantal Akerman, Natalia Almada, ______) -- Postlude: Remix : re: Mex : REMEX : untoward art histories of the third millennium. | |
| 520 | |a REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994-2008). Marshaling over a decade's worth of archival research, interviews, and participant observation in Mexico City and the Mexican-US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn of the millennium. Carroll organizes her interpretations of performance, installation, documentary film, built environment, and body, conceptual, and Internet art around three key coordinates--City, Woman, and Border. She links the rise of 1990s Mexico City art on a global market to the period's consolidation of Mexico-US border art on a global market to the period's consolidation of Mexico-US border art as a genre. She then interrupts this transnational art history with a sustained analysis of chilanga and Chicana artists' remapping of the figure of Mexico as Woman. A tour de force that depicts a feedback loop of art and public policy--what Carroll terms the "allegorical performative"--REMEX adds context to the long-term effects of the post-1968 intersection of DF performance and conceptualism, centralizes women artists' embodied critiques of national and global master narratives, and tracks post-1984 border art's "undocumentation" of racialized and sexualized reconfigurations of North American labor pools. The book's featured artwork becomes the lens through which Carroll rereads a range of events and phenomena from California's Proposition 187 to Zapatismo, US immigration policy, 9/11 (1973/2001), femicide in Cuidad Juárez, and Mexico's war on drugs--back cover | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 630 | 0 | 7 | |a North American Free Trade Agreement (1992 December 17) |2 fast |0 (OCoLC)fst01802742 |
| 650 | 0 | |a Arts, Mexican |y 20th century |x Themes, motives. | |
| 650 | 0 | |a Arts, Mexican |y 21st century |x Themes, motives. | |
| 650 | 0 | |a Arts and society |z Mexican-American Border Region |x History |y 20th century. | |
| 650 | 0 | |a Arts and society |z Mexican-American Border Region |x History |y 21st century. | |
| 650 | 0 | |a Arts |x Political aspects |z Mexican-American Border Region |x History |y 20th century. | |
| 650 | 0 | |a Arts |x Political aspects |z Mexican-American Border Region |x History |y 21st century. | |
| 650 | 6 | |a Arts mexicains |y 20e siècle |x Thèmes, motifs. | |
| 650 | 6 | |a Arts mexicains |y 21e siècle |x Thèmes, motifs. | |
| 650 | 6 | |a Arts et société |z Région frontalière mexicano-américaine |x Histoire |y 21e siècle. | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 7 | |a ART |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART / History / Contemporary (1945-) |2 bisacsh | |
| 650 | 7 | |a Arts |x Political aspects. |2 fast |0 (OCoLC)fst00817791 | |
| 650 | 7 | |a Arts and society. |2 fast |0 (OCoLC)fst00817856 | |
| 650 | 7 | |a Art and society. |2 fast |0 (OCoLC)fst00815432 | |
| 650 | 7 | |a Arts, Mexican. |2 fast |0 (OCoLC)fst00818133 | |
| 650 | 7 | |a Free trade |x Social aspects. |2 fast |0 (OCoLC)fst00933961 | |
| 650 | 7 | |a National characteristics in art. |2 fast |0 (OCoLC)fst01033333 | |
| 650 | 7 | |a Neo-Mexicanism. |2 fast |0 (OCoLC)fst01762524 | |
| 651 | 7 | |a North America |z Mexican-American Border Region. |2 fast |0 (OCoLC)fst01239966 | |
| 651 | 7 | |a Mexico. |2 fast |0 (OCoLC)fst01211700 | |
| 651 | 7 | |a North America. |2 fast |0 (OCoLC)fst01242475 | |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Carroll, Amy Sara, 1967- |t REMEX. |b First edition. |d Austin : University of Texas Press, 2018 |z 9781477310649 |w (DLC) 2017005974 |w (OCoLC)976035865 |
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