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Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert /
"This book continues to develop Hatten's theory of musical physical based on the principles of semiotic theory as introduced in Musical Meaning in Beethoven (1994). In Part One, Hatten applies his theories of markedness, topics, and tropes to individual works by Beethoven and Schubert, end...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, IN :
Indiana University Press,
2004.
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| Colección: | Musical meaning and interpretation.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Hatten, Robert S., |e author. | |
| 245 | 1 | 0 | |a Interpreting Musical Gestures, Topics, and Tropes : |b Mozart, Beethoven, Schubert / |c Robert S. Hatten. |
| 260 | |a Bloomington, IN : |b Indiana University Press, |c 2004. | ||
| 300 | |a 1 online resource (372 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Musical Meaning and Interpretation | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 323-338) and indexes. | ||
| 505 | 0 | |a Markedness, topics, and tropes -- Musical gesture -- Continuity and discontinuity. | |
| 520 | 1 | |a "This book continues to develop Hatten's theory of musical physical based on the principles of semiotic theory as introduced in Musical Meaning in Beethoven (1994). In Part One, Hatten applies his theories of markedness, topics, and tropes to individual works by Beethoven and Schubert, ending the section with a chapter that presents an overview of topics, genres, and forms as tropes in Baroque, Classical, and Romantic music." | |
| 520 | 8 | |a "Part Two introduces a new approach by combining critical theory with biological and psychological theories of gesture, thereby surpassing the limits of conventional semiotic analysis. Within this section, Hatten presents analyses of Classical period works by Beethoven, Mozart, and Schubert. Part three extends these ideas into a theory of musical continuity, with several analyses of Beethoven's late works."--Jacket | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Beethoven, Ludwig van, |d 1770-1827 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Schubert, Franz, |d 1797-1828 |x Criticism and interpretation. |
| 600 | 1 | 6 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |x Critique et interprétation. |
| 600 | 1 | 6 | |a Beethoven, Ludwig van, |d 1770-1827 |x Critique et interprétation. |
| 600 | 1 | 6 | |a Schubert, Franz, |d 1797-1828 |x Critique et interprétation. |
| 600 | 1 | 7 | |a Beethoven, Ludwig van, |d 1770-1827 |2 fast |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus, |d 1756-1791 |2 fast |
| 600 | 1 | 7 | |a Schubert, Franz, |d 1797-1828 |2 fast |
| 600 | 1 | 7 | |a Beethoven, Ludwig ((van)) |2 swd |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus. |2 swd |
| 600 | 1 | 7 | |a Schubert, Franz. |2 swd |
| 650 | 0 | |a Music |x Semiotics. | |
| 650 | 6 | |a Sémiotique et musique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Music |x Semiotics |2 fast | |
| 650 | 7 | |a Musikalische Semiotik |2 gnd | |
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| 650 | 1 | 7 | |a Interpretatie. |2 gtt |
| 650 | 1 | 7 | |a Semiotiek. |2 gtt |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Hatten, Robert S. |t Interpreting Musical Gestures, Topics, and Tropes : Mozart, Beethoven, Schubert. |d Bloomington, IN : Indiana University Press, ©2004 |z 9780253344595 |
| 830 | 0 | |a Musical meaning and interpretation. | |
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