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Spectacle of property : the house in American film /

"Much of our time at the movies is spent in other peoples homes. Cinema is, after all, often about everyday life. Spectacle of Property is the first book to address the question of the ubiquitous conjuncture of the moving image and its domestic architecture. Arguing that in cinema we pay to occ...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rhodes, John David, 1969- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, [2017]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Rhodes, John David,  |d 1969-  |e author. 
245 1 0 |a Spectacle of property :  |b the house in American film /  |c John David Rhodes. 
264 1 |a Minneapolis :  |b University of Minnesota Press,  |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource (xii, 254 pages) :  |b illustrations 
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520 |a "Much of our time at the movies is spent in other peoples homes. Cinema is, after all, often about everyday life. Spectacle of Property is the first book to address the question of the ubiquitous conjuncture of the moving image and its domestic architecture. Arguing that in cinema we pay to occupy spaces we cannot occupy, John David Rhodes explores how the house in cinema both structures and criticizes fantasies of property and ownership. Rhodes tells the story of the ambivalent but powerful pleasure we take in looking at private property onscreen, analyzing the security and ease the house promises along with the horrible anxieties it produces. He begins by laying out a theory of film spectatorship that proposes the concept of the 'spectator-tenant, ' with reference to films such as Gone with the Wind and The Magnificent Ambersons. The book continues with three chapters that are each occupied with a different architectural style and the films that make use of it: the bungalow, the modernist house, and the shingle style house. Rhodes considers a variety of canonical films rarely analyzed side by side, such as Psycho in relation to Grey Gardens and Meet Me in St. Louis. Among the other films discussed are Meshes of the Afternoon, Mildred Pierce, A Star Is Born, Killer of Sheep, and A Single Man. Bringing together film history, film theory, and architectural history as no book has to date, Spectacle of Property marks a new milestone in examining cinemas relationship to realism while leaving us vastly more informed about, if less at home inside, the houses we occupy at the movies."--Provided by publisher 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: the house as medium -- Cinema's short-term tenancy: a materialist theory of film spectatorship -- Wrong life: bungalow aesthetics in and against Hollywood -- All too easy: the modernist house and effortless appropriation -- Between the past and the present: nostalgia and the cinema of stick and shingle style architecture -- Coda. from porch to attic: condemned to property in New Orleans. 
588 0 |a Print version record. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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650 0 |a Motion pictures and architecture. 
650 0 |a Home in motion pictures. 
650 0 |a Architecture in motion pictures. 
650 0 |a Dwellings in motion pictures. 
650 0 |a Motion pictures, American. 
650 6 |a Cinéma et architecture. 
650 6 |a Foyer au cinéma. 
650 6 |a Architecture au cinéma. 
650 6 |a Habitations au cinéma. 
650 6 |a Cinéma américain. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Dwellings in motion pictures.  |2 fast  |0 (OCoLC)fst01903072 
650 7 |a Architecture in motion pictures.  |2 fast  |0 (OCoLC)fst00813599 
650 7 |a Home in motion pictures.  |2 fast  |0 (OCoLC)fst00959308 
650 7 |a Motion pictures, American.  |2 fast  |0 (OCoLC)fst01027478 
650 7 |a Motion pictures and architecture.  |2 fast  |0 (OCoLC)fst01749785 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Rhodes, John David, 1969-  |t Spectacle of property.  |d Minneapolis : University of Minnesota Press, 2017  |w (DLC) 2017042185  |w (OCoLC)982091863 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.5749/j.ctt1pwt7cf  |z Texto completo 
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