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Decentring France : multilingualism and power in contemporary French cinema /
The first substantial study of multilingual film in France. Unpacking the power dynamics at play in the dialogue of eight emblematic films, this book argues that many contemporary French films take a new approach to language and power.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2017.
|
| Colección: | Manchester Film Studies
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a King, Gemma, |e author. | |
| 245 | 1 | 0 | |a Decentring France : |b multilingualism and power in contemporary French cinema / |c Gemma King. |
| 246 | 3 | |a Decentering France | |
| 264 | 1 | |a Manchester : |b Manchester University Press, |c 2017. | |
| 300 | |a 1 online resource (213 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Manchester Film Studies | |
| 504 | |a Includes bibliographical references (pages 203-211), filmography (pages 199-202) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Introduction -- A brief history of multilingualism in French cinema -- Decentred perspectives : case studies -- Capital centres : Polisse and Entre les murs -- Urban margins : Un phophète and Dheepan -- Coastal borders : Welcome and La Graine et le mulet -- International spaces : London River and Des hommes et des dieux -- Conclusion. | |
| 520 | |a The first substantial study of multilingual film in France. Unpacking the power dynamics at play in the dialogue of eight emblematic films, this book argues that many contemporary French films take a new approach to language and power. | ||
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion pictures |z France. | |
| 650 | 0 | |a Motion pictures and language |z France. | |
| 650 | 0 | |a Language and languages in motion pictures. | |
| 650 | 6 | |a Cinéma |z France. | |
| 650 | 6 | |a Cinéma et langage |z France. | |
| 650 | 6 | |a Langage et langues au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Language and languages in motion pictures. |2 fast |0 (OCoLC)fst00992278 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Motion pictures and language. |2 fast |0 (OCoLC)fst01027409 | |
| 651 | 7 | |a France. |2 fast |0 (OCoLC)fst01204289 | |
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| 650 | 7 | |a Multikulturelle Gesellschaft |g Motiv |2 gnd | |
| 651 | 7 | |a Frankreich |2 gnd | |
| 776 | 0 | 8 | |i Print version: |a King, Gemma. |t Decentring France. |d Manchester : Manchester University Press, 2017 |z 1526113570 |w (OCoLC)964551117 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1vwmdbj |z Texto completo |
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