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The British blues network : adoption, emulation, and creativity /
Beginning in the late 1950s, an influential cadre of young, white, mostly middle-class British men were consuming and appropriating African-American blues music, using blues tropes in their own music and creating a network of admirers and emulators that spanned the Atlantic. This cross-fertilization...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
University of Michigan Press,
[2017]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kellett, Andrew, |d 1979- |e author. | |
| 245 | 1 | 4 | |a The British blues network : |b adoption, emulation, and creativity / |c Andrew Kellett. |
| 264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c [2017] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 223-248) and index. | ||
| 520 | |a Beginning in the late 1950s, an influential cadre of young, white, mostly middle-class British men were consuming and appropriating African-American blues music, using blues tropes in their own music and creating a network of admirers and emulators that spanned the Atlantic. This cross-fertilization helped create a commercially successful rock idiom that gave rise to some of the most famous British groups of the era, including The Rolling Stones, The Yardbirds, Eric Clapton, and Led Zeppelin. What empowered these white, middle-class British men to identify with and claim aspects of the musical idiom of African-American blues musicians? The British Blues Network examines the role of British narratives of masculinity and power in the postwar era of decolonization and national decline that contributed to the creation of this network, and how its members used the tropes, vocabulary, and mythology of African-American blues traditions to forge their own musical identities. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher. | |
| 505 | 0 | |a Talkin' 'Bout My Generation: The Socioeconomic and Cultural Background -- Trying to Make London My Home: Introductory Encounters with the Blues -- But My Dad Was Black: Masculinity, Mobility, and Blues Culture in Britain -- Blues Brothers: Camaraderie, Collaboration, and Competition in the British Blues Network -- I Just Can't Be Satisfied: Between Authenticity and Creativity. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Blues (Music) |x Social aspects |z Great Britain |x History |y 20th century. | |
| 650 | 0 | |a Blues (Music) |z Great Britain |x History and criticism. | |
| 650 | 0 | |a Blues (Music) |x Influence. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Blues (Music) |2 fast | |
| 650 | 7 | |a Blues (Music) |x Influence |2 fast | |
| 651 | 7 | |a Great Britain |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |t British blues network. |d Ann Arbor : University of Michigan Press, [2017] |z 9780472036998 |w (DLC) 2017051655 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3998/mpub.2969715 |z Texto completo |
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