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JSTOR_on1005195672 |
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OCoLC |
| 005 |
20231005004200.0 |
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m o d |
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171005s2017 xx o 000 0 spa d |
| 040 |
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|a YDX
|b eng
|e pn
|c YDX
|d JSTOR
|d OCLCF
|d UAB
|d OCLCQ
|d DGITA
|d YDX
|d OCLCO
|d OCLCQ
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| 020 |
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|a 9587745221
|q (electronic bk.)
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| 020 |
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|a 9789587745221
|q (electronic bk.)
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| 035 |
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|a (OCoLC)1005195672
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| 037 |
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|a 22573/ctt1vgxn3c
|b JSTOR
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| 050 |
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4 |
|a PN1995
|b .M47 2017eb
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| 082 |
0 |
4 |
|a 791.4301
|2 23
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| 049 |
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|a UAMI
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| 245 |
0 |
4 |
|a Los útiles y los inútiles :
|b presencia y visibilidad de los objetos en el cine /
|c Alessandra Merlo.
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| 260 |
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|a [Place of publication not identified] :
|b FACULTAD DE CIENCIAS SOCI,
|c 2017.
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| 300 |
|
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|a 1 online resource
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 505 |
0 |
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|a El objeto concreto : las palabras que lo nombran -- La presencia del objeto en la imagen fílmica. -- La inutilidad. -- Hacer visible el sentido.
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| 590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 590 |
|
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|a JSTOR
|b Books at JSTOR All Purchased
|
| 650 |
|
0 |
|a Motion pictures
|x Aesthetics.
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| 650 |
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0 |
|a Motion pictures
|x Plots, themes, etc.
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| 650 |
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0 |
|a Object (Aesthetics)
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| 650 |
|
6 |
|a Cinéma
|x Esthétique.
|
| 650 |
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6 |
|a Cinéma
|x Intrigues, thèmes, etc.
|
| 650 |
|
6 |
|a Objet (Esthétique)
|
| 650 |
|
7 |
|a Motion pictures
|x Aesthetics.
|2 fast
|0 (OCoLC)fst01027288
|
| 650 |
|
7 |
|a Motion pictures
|x Plots, themes, etc.
|2 fast
|0 (OCoLC)fst01027350
|
| 650 |
|
7 |
|a Object (Aesthetics)
|2 fast
|0 (OCoLC)fst01042785
|
| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7440/j.ctt1vgwb01
|z Texto completo
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| 938 |
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|a YBP Library Services
|b YANK
|n 15935628
|
| 938 |
|
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|a Digitalia Publishing
|b DGIT
|n DIGUANDES261
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| 938 |
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|a YBP Library Services
|b YANK
|n 14853449
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| 994 |
|
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|a 92
|b IZTAP
|
