The pop palimpsest : intertextuality in recorded popular music /

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Why do rich countries flirt with fiscal disaster? Between the 1970s and the 2000s, during times of peace and prosperity, affluent countries-like Belgium, Greece, Italy, and Japan-accumulated so much debt that they became vulnerable and exposed themselves to the risk of default. In the past three dec...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Lacasse, Serge, Burns, Lori
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, [2018]
Colección:Tracking pop.
Temas:
Popular music > History and criticism.
Intertextuality.
Musique populaire > Histoire et critique.
Intertextualité.
MUSIC > Instruction & Study > Theory.
Intertextuality
Popular music
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro; Contents; Foreword: The Intertextual Network
  • J. Peter Burkholder; Introduction
  • Lori Burns and Serge Lacasse; Section I. Transtextualities; 1. Toward a Model of Transphonography
  • Serge Lacasse; 2. Genettean Hypertextuality as Applied to the Music of Genesis: Intertextual and Intratextual Approaches
  • Roger Castonguay; Section II. Intertextual Analyses; 3. The Bitter Taste of Praise: Singing a#x80;#x9C;Hallelujaha#x80;#x9D;
  • Allan Moore; 4. The Electric Light Orchestra and the Anxiety of the Beatlesa#x80;#x99; Influence
  • Mark Spicer.
  • 5. a#x80;#x9C;If Youa#x80;#x99;re Gonna Have a Hita#x80;#x9D;: Intratextual Mixes and Edits of Pop Recordings
  • Walter Everett6. Someone and Someone: Dialogic Intertextuality and Neil Young
  • William Echard; 7. Intertextuality in the Nineteenth-Century French Vaudeville
  • Mary S. Woodside; Section III. Intermedial Subjectivities; 8. Rap Gods and Monsters: Words, Music, and Images in the Hip-Hop Intertexts of Eminem, Jay-Z, and Kanye West
  • Lori Burns and Alyssa Woods; 9. Performative Strategies and Musical Markers in the Eurythmicsa#x80;#x99; a#x80;#x9C;I Need a Mana#x80;#x9D;
  • Stan Hawkins; Section IV. Intertextual Productions.
  • 10. Timbre as Text: The Cognitive Roots of Intertextuality
  • Simon Zagorski-Thomas11. Intertextuality and Lineage in The Gamea#x80;#x99;s a#x80;#x9C;We Aina#x80;#x99;ta#x80;#x9D; and Kendrick Lamara#x80;#x99;s a#x80;#x9C;m.A.A.d. Citya#x80;#x9D;
  • Justin A. Williams; 12. Mix Tapes, Memory, and Nostalgia: An Introduction to Phonographic Anthologies Serge Lacasse and Andy Bennett; List of Contributors; Index.

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