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Medieval theatre performance : actors, dancers, automata and their audiences /
The nature, conditions and place of medieval theatre performance remain somewhat mysterious, with scholarship in the field tending to be devoted to its context, and to the texts themselves. The essays in this volume seek to address this omission. They consider such matters as the nature of performan...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
D.S. Brewer,
2017.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Medieval theatre performance : |b actors, dancers, automata and their audiences / |c edited by Philip Butterworth and Katie Normington. |
| 264 | 1 | |a Cambridge : |b D.S. Brewer, |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (xiv, 282 pages) : |b illustrations | ||
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| 520 | 8 | |a The nature, conditions and place of medieval theatre performance remain somewhat mysterious, with scholarship in the field tending to be devoted to its context, and to the texts themselves. The essays in this volume seek to address this omission. They consider such matters as the nature of performance in theatre/dance/puppetry/automata; the performed qualities of such events; the conventions of performed work; what took place in the act of performing; and the relationships between performers and witnesses, and what conditioned these relationships. | |
| 520 | |a We know little about the nature of medieval performance and have generally been content to think of it in relation to more modern productions, not least because of the sparsity of existing evidence. Consequently, whilst much research has been undertaken into its contexts, there has been relatively little scholarly investigation into the conditions of performance itself. This book seeks to address this omission. It looks at such questions as the nature of performance in theatre/dance/puppetry/automata; the performed qualities of such events; the conventions of performed work; what took place in the act of performing; and the relationships between performers and witnesses, and what conditioned them. Philip Butterworth is Visiting Research Fellow in the Institute for Medieval Studies at the University of Leeds, where he was formerly Reader in Medieval Theatre and Dean for Research; Katie Normington is Senior Vice Principal (Academic) at Royal Holloway, University of London, where she is also Professor of Drama. Contributors: Kathryn Emily Dickason, Leanne Groeneveld, Max Harris, David Klausner, Femke Kramer, Jennifer Nevile, Nerida Newbigin, Tom Pettitt, Bart Ramakers, Claire Sponsler. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a From archive to repertoire: the Disguising at Hertford and performing practices / Claire Sponsler -- Walk, talk, sit, quit? On what happens in Netherlandish Rhetoricians' plays / Bart Ramakers -- Performing intrusions: interaction and interaxionality in medieval English theatre / Tom Pettit -- Player transformation: the role of clothing and disguise -- Pavilioned in splendour: performing heaven in fifteenth-century Florence / Nerida Newbigin -- Living pictures: drama without text, drama without action / David Klausner -- Performer-audience relationships in fifteenth-and sixteenth-century danced spectacles / Jennifer Nevile -- Decadance in the late Middle Ages: the case of Choreomania / Kathryn Emily Dickason -- Writing, telling and showing horsemanship in Rhetoricians' farce / Femke Kramer -- Inanimate performers: the animation and interpretive versatility of the Palmesel / Max Harris -- 'lyke unto a lyvelye thyng': the Boxley Rood of grace and medieval performance / Leanne Groeneveld -- The Mechanycalle 'Ymage off Seynt Iorge' at St Botolph's, Billingsgate, 1474 / Philip Butterworth. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 650 | 0 | |a Drama, Medieval. | |
| 650 | 6 | |a Théâtre médiéval. | |
| 650 | 7 | |a HISTORY |z Europe |x Western. |2 bisacsh | |
| 650 | 7 | |a Drama, Medieval |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Butterworth, Philip, |e editor. | |
| 700 | 1 | |a Normington, Katie, |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Butterworth, Philip. |t Medieval theatre performance. Actors, dancers, automata and their audiences. |d Woodbridge : Boydell & Brewer Ltd. 2017 |z 9781843844761 |w (OCoLC)994236846 |
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