Cineaste on film criticism, programming, and preservation in the new millennium /

Mostrar otras versiones (1)

Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been elimi...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Lucia, Cynthia A. Barto (Cynthia Anne Barto) (Editor ), Hamid, Rahul, (Editor) (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2017.
Edición:First edition.
Temas:
Motion pictures > Periodicals.
Film criticism.
Motion pictures > Reviews.
Mass media > Technological innovations.
Mass media criticism.
Critique cinématographique.
Cinéma > Comptes rendus.
Médias > Innovations.
Médias > Évaluation.
PERFORMING ARTS > Reference.
PERFORMING ARTS / Film & Video / History & Criticism
Motion pictures.
Periodicals.
Reviews.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Film criticism in America today: a critical symposium (2000)
  • International film criticism today: a critical symposium (2005)
  • Film criticism in the age of the internet: a critical symposium (2008)
  • Film criticism: the next generation: a critical symposium (2013)
  • "I still love going to the movies": an interview with Pauline Kael (2000)
  • Cult films, commentary tracks, and censorious critics: an interview with John Bloom (2003)
  • Repertory film programming: a critical symposium (2010)
  • Utopian festivals and cinephilic dreams: an interview with Peter von Bagh (2012)
  • The (cinematic) gospel according to Mark: an interview with Mark Cousins (2013)
  • Film preservation in the digital age: a critical symposium (2011)
  • MOD man: an interview with George Feltenstein (2011).

Ejemplares similares