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Make ours Marvel : media convergence and a comics universe /

"The creation of the Fantastic Four effectively launched the Marvel Comics brand in 1961. Within ten years, the introduction (or reintroduction) of characters such as Spider-Man, the Hulk, Iron Man, Captain America, and the X-Men catapulted Marvel past its primary rival, DC Comics, for dominati...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Yockey, Matt (Editor )
Formato: Documento de Gobierno Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2017.
Edición:First edition.
Colección:World comics and graphic nonfiction series.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Make ours Marvel :  |b media convergence and a comics universe /  |c edited by Matt Yockey. 
250 |a First edition. 
264 1 |a Austin :  |b University of Texas Press,  |c 2017. 
264 4 |c ©2017 
300 |a 1 online resource (vii, 358 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a World comics and graphic nonfiction series 
504 |a Includes bibliographical references and index. 
505 0 0 |g Introduction.  |t Excelsior! or, everything that rises must converge /  |r Matt Yockey --  |t Reforming the "justice" system : Marvel's Avengers and the transformation of the all-star team book /  |r Mark Minett and Bradley Schauer --  |t Man without fear : David Mack, Daredevil, and the "bounds of difference" in superhero comics /  |r Henry Jenkins --  |t "This female fights back!" : a feminist history of Marvel comics /  |r Anna F. Peppard --  |t "Share your universe" : generation, gender, and the future of Marvel publishing /  |r Derek Johnson --  |t Breaking brand : from NuMarvel to MarvelNow! Marvel comics in the age of media convergence /  |r Deron Overpeck --  |t Marvel and the form of motion comics /  |r Darren Wershler and Kalervo A. Sinervo --  |t Transmedia storytelling in the "Marvel Cinematic Universe" and the logics of convergence-era popular seriality /  |r Felix Brinker --  |t The Marvel one-shots and transmedia storytelling /  |r Michael Graves --  |t Spinning webs : constructing authors, genre, and fans in the Spider-Man film franchise /  |r James N. Gilmore --  |t Playing Peter Parker : Spider-Man and superhero film performance /  |r Aaron Taylor --  |t Spotting Stan : the fun and function of Stan Lee's cameos in the Marvel Universe(s) /  |r Dru Jeffries --  |t Schrödinger's cape : the quantum seriality of the Marvel multiverse /  |r William Proctor. 
520 |a "The creation of the Fantastic Four effectively launched the Marvel Comics brand in 1961. Within ten years, the introduction (or reintroduction) of characters such as Spider-Man, the Hulk, Iron Man, Captain America, and the X-Men catapulted Marvel past its primary rival, DC Comics, for domination of the comic book market. Since the 2000s, the company's iconic characters have leaped from page to screens with the creation of the Marvel Cinematic Universe, which includes everything from live-action film franchises of Iron Man and the Avengers to television and streaming media, including the critically acclaimed Netflix series Daredevil and Jessica Jones. Marvel, now owned by Disney, has clearly found the key to transmedia success. Make Ours Marvel traces the rise of the Marvel brand and its transformation into a transmedia empire over the past fifty years. A dozen original essays range across topics such as how Marvel expanded the notion of an all-star team book with The Avengers, which provided a roadmap for the later films, to the company's attempts to create lasting female characters and readerships, to its regular endeavors to reinvigorate its brand while still maintaining the stability that fans crave. Demonstrating that the secret to Marvel's success comes from adeptly crossing media boundaries while inviting its audience to participate in creating Marvel's narrative universe, this book shows why the company and its characters will continue to influence storytelling and transmedia empire building for the foreseeable future." --  |c Provided by the publisher. 
588 0 |a Print version record. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
610 2 0 |a Marvel Comics Group. 
610 2 7 |a Marvel Comics Group.  |2 fast  |0 (OCoLC)fst00540413 
650 0 |a Comic books, strips, etc.  |z United States  |x History and criticism. 
650 0 |a Storytelling in mass media. 
650 0 |a Motion pictures and comic books. 
650 0 |a Comic strip characters in motion pictures. 
650 6 |a Art de conter dans les médias. 
650 6 |a Cinéma et bandes dessinées. 
650 7 |a ART  |x Techniques  |x Drawing.  |2 bisacsh 
650 7 |a LITERARY CRITICISM / Comics & Graphic Novels  |2 bisacsh 
650 7 |a Comic books, strips, etc.  |2 fast  |0 (OCoLC)fst00869145 
650 7 |a Comic strip characters in motion pictures.  |2 fast  |0 (OCoLC)fst00869190 
650 7 |a Motion pictures and comic books.  |2 fast  |0 (OCoLC)fst01894649 
650 7 |a Storytelling in mass media.  |2 fast  |0 (OCoLC)fst01200993 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 0 |a Electronic books. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
700 1 |a Yockey, Matt,  |e editor. 
776 0 8 |i Print version:  |t Make ours Marvel.  |b First edition.  |d Austin : University of Texas Press, 2017  |z 9781477312490  |w (DLC) 2016050503  |w (OCoLC)961153335 
830 0 |a World comics and graphic nonfiction series. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.7560/312490  |z Texto completo 
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