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Notes to make the sound come right : four innovators of jazz poetry /

"In this book, T.J. Anderson, son of the brilliant composer, Thomas Anderson, Jr., asserts that jazz became in the twentieth century not only a way of revising old musical forms, such as spiritual and work song, but also a way of examining the African American social and cultural experience. He...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Anderson, T. J., III, 1958-
Formato: Documento de Gobierno Electrónico eBook
Idioma:Inglés
Publicado: Fayetteville : University of Arkansas Press, 2004.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Anderson, T. J.,  |c III,  |d 1958- 
245 1 0 |a Notes to make the sound come right :  |b four innovators of jazz poetry /  |c T.J. Anderson III. 
264 1 |a Fayetteville :  |b University of Arkansas Press,  |c 2004. 
300 |a 1 online resource (xi, 217 pages) 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references (pages 195-204) and index. 
505 0 |a The jazz impulse in poetry -- Voices crossing over : a historical overview of jazz poetry -- Body and soul : Bob Kaufman's Golden sardine -- Now's the time : Stephen Jonas's Exercises for ear -- Hot house : Jayne Cortez and the music of illumination -- Interstellar space : Nathaniel Mackey's Musical weave -- Coda : the mixtery of jazz poetry. 
520 1 |a "In this book, T.J. Anderson, son of the brilliant composer, Thomas Anderson, Jr., asserts that jazz became in the twentieth century not only a way of revising old musical forms, such as spiritual and work song, but also a way of examining the African American social and cultural experience. He traces the growing history of jazz poetry and examines the work of four innovative and critically acclaimed African American poets whose work is informed by a jazz aesthetic: Stephen Jonas (1925?-1970) and the unjustly overlooked Bob Kaufman (1925-1986), who have affinities with Beat poetry; Jayne Cortez (1936- ), whose work is rooted in surrealism; and the difficult and demanding Nathaniel Mackey (1947- ), who has links to the language writers. Each fashioned a significant and vibrant body of work that employs several of the key elements of jazz."--Jacket 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed September 13, 2017). 
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600 1 0 |a Mackey, Nathaniel,  |d 1947-  |x Criticism and interpretation. 
600 1 0 |a Cortez, Jayne  |x Criticism and interpretation. 
600 1 0 |a Jonas, Stephen.  |t Exercises for ear. 
600 1 0 |a Kaufman, Bob.  |t Golden sardine. 
600 1 7 |a Mackey, Nathaniel,  |d 1947-  |2 fast 
600 1 7 |a Cortez, Jayne  |2 fast 
650 0 |a American poetry  |y 20th century  |x History and criticism. 
650 0 |a Jazz in literature. 
650 0 |a Music and literature  |x History  |y 20th century. 
650 6 |a Jazz dans la littérature. 
650 6 |a Poésie américaine  |y 20e siècle  |x Histoire et critique. 
650 6 |a Musique et littérature  |x Histoire  |y 20e siècle. 
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650 7 |a Jazz in literature  |2 fast 
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651 7 |a USA  |2 gnd 
651 7 |a Schwärze  |2 gnd 
650 0 7 |a Geschichte 1960-1990.  |2 swd 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Anderson, T.J., 1958-  |t Notes to make the sound come right.  |d Fayetteville : University of Arkansas Press, 2004  |w (DLC) 2004001819  |w (OCoLC)54372117 
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