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Black mirror : the cultural contradictions of American racism /

Black Mirror explores the ways U.S. cultural institutions--classic American literature, Hollywood film, pop musical artistry, venturesome social commentary--have relied insistently and repeatedly on racial symbolic capital, including and above all blackface, to reproduce white cultural dominance. In...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lott, Eric (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 2017
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Lott, Eric,  |e author. 
245 1 0 |a Black mirror :  |b the cultural contradictions of American racism /  |c Eric Lott 
264 1 |a Cambridge, Massachusetts :  |b The Belknap Press of Harvard University Press,  |c 2017 
264 4 |c ©2017 
300 |a 1 online resource (xxv, 262 pages) :  |b illustrations 
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520 |a Black Mirror explores the ways U.S. cultural institutions--classic American literature, Hollywood film, pop musical artistry, venturesome social commentary--have relied insistently and repeatedly on racial symbolic capital, including and above all blackface, to reproduce white cultural dominance. In the process these forms have threatened to betray the racial hegemony that generated them and that they exist in order to maintain. Hence the subtitle, The Cultural Contradictions of American Racism. In a series of chapters addressing such arts and artists as Mark Twain, film noir, Joni Mitchell, Elvis impersonators, Bob Dylan, and Barack Obama, Black Mirror locates the symbolic surplus value that accrues to white cultural producers and institutions whenever they traffic in "blackness"--A political economy of the sign that can sometimes surprise us (not least by producing a black president).--  |c Provided by publisher 
504 |a Includes bibliographical references and index 
505 0 |a Black mirror: states of fantasy and symbolic surplus value -- Our blackface America: Mr. Clemens and Jim Crow -- The mirror has two faces: white ethnic semi-mojo -- House of mirrors: the whiteness of film noir -- White like me: racial trans and the culture of civil rights -- Tar baby and the great white wonder: Joni Mitchell's pimp game -- All the king's men: Elvis impersonators and white working-class masculinity -- Just like Jack Frost's blues: masking and melancholia in Bob Dylan's 'Love and theft' 
588 0 |a Print version record 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Racism in mass media. 
650 0 |a Racism in popular culture  |z United States. 
650 0 |a White people  |z United States  |x Attitudes. 
650 0 |a Black people  |z United States  |x Public opinion. 
650 0 |a African Americans in the performing arts  |z United States. 
651 0 |a United States  |x Race relations. 
650 6 |a Racisme dans les médias. 
650 6 |a Racisme dans la culture populaire  |z États-Unis. 
650 6 |a Noirs américains dans les arts du spectacle  |z États-Unis. 
651 6 |a États-Unis  |x Relations raciales. 
650 6 |a Personnes noires  |z États-Unis  |x Opinion publique. 
650 7 |a SOCIAL SCIENCE  |x Discrimination & Race Relations.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Minority Studies.  |2 bisacsh 
650 7 |a HISTORY  |z United States  |y 20th Century.  |2 bisacsh 
650 7 |a African Americans in the performing arts  |2 fast 
650 7 |a Black people  |x Public opinion  |2 fast 
650 7 |a Race relations  |2 fast 
650 7 |a Racism in mass media  |2 fast 
650 7 |a Racism in popular culture  |2 fast 
650 7 |a White people  |x Attitudes  |2 fast 
651 7 |a United States  |2 fast 
776 0 8 |i Print version:  |a Lott, Eric.  |t Black mirror.  |d Cambridge, Massachusetts : The Belknap Press of Harvard University Press, 2017  |z 9780674967717  |w (DLC) 2017013659  |w (OCoLC)982089197 
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