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|a Long, Declan,
|e author.
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|a Ghost-haunted land :
|b contemporary art and post-Troubles Northern Ireland /
|c Declan Long.
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|a Manchester :
|b Manchester University Press,
|c 2017.
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|a 1 online resource (280 pages)
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|a 1. Same difference : post-Troubles contexts and contradictions. -- 2. New terrains: ‘Northern Irish art’ in the wider world. -- 3. The post-Troubles art of Willie Dougherty. -- 4 . That which was : histories, documents, archives. -- 5. Phantom publics : imagining ways of 'being together' . -- Conclusion - or against conclusions.
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|a Since the signing of the Good Friday Agreement in 1998 - the formal end-point of the thirty-year modern 'Troubles' - contemporary visual artists have offered diverse responses to post-conflict circumstances in Northern Ireland. In Ghost-Haunted Land - the first book-length examination of post-Troubles contemporary art - Declan Long highlights artists who have reflected on the ongoing anxieties of aftermath.
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|a Includes bibliographical references and index.
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|a Art, Irish
|y 21st century.
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|a Art
|x Political aspects
|z Northern Ireland.
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650 |
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|a Art irlandais
|y 21e siècle.
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|a Art
|x Aspect politique
|z Irlande du Nord.
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|a ART
|x Performance.
|2 bisacsh
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|a ART
|x Reference.
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|a ART
|x History
|x Contemporary (1945- )
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|a Art, Irish.
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|a Art
|x Political aspects.
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651 |
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|a Northern Ireland.
|2 fast
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648 |
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|a 2000-2099
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0 |
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|i Print version:
|a Long, Declan.
|t Ghost-haunted land.
|d Manchester University Press, 2017
|z 9781784991449
|z 1784991449
|w (OCoLC)974865695
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvnb7q0w
|z Texto completo
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