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|a Crone, Bridget.
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|a The Sensible Stage :
|b Staging and the Moving Image /
|c edited by Bridget Crone.
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|a Bristol :
|b Intellect Books Ltd,
|c 2017-06-26 00:00:00.0.
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|a 1 online resource (202) :
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|a Cover; Half Title; Title; Copyright; Contents; Acknowledgements; Introduction; Chapter I: A Theatre of Operations: A Discussion between Alain Badiou and Elie During; Chapter II: Performer, Audience, Mirror: Cinema, Theatre and the Idea of the Live; Chapter III: 'Je suis photographe': Figures of Cinematic Narrators; Chapter IV: Spectators, Objects and Infrastructures: A Discussion between Dan Kidner and Bridget Crone; Chapter V: Treatise on Movement; Chapter VI: Moving Poses / Arresting Feeling: Jimmy Robert's L'Education Sentimentale.
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|a Chapter VII: Between the Body and Object the Voice Appears: Yael Davids' Learning to Imitate and Learning to Imitate in AbsentiaChapter VIII: The Subject in Process: Material Equations in the Work of Carolee Schneemann and Annabel Nicolson; Chapter IX: Working Songs: 'yes to the connection between voice and audience'; Chapter X: The Gesture of the Muted Voice: Cara Tolmie's Myriad Mouth Line; Chapter XI: The Divided Stage: Splitting the Dialectics of Performance; Chapter XII: Notes Towards a Sensible Stage; Contributors; Back Cover.
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|a Theater in art.
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|a Theaters
|x Stage-setting and scenery.
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|a Théâtre dans l'art.
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|i Print version:
|a Crone, Bridget.
|t Sensible Stage : Staging and the Moving Image.
|d Bristol : Intellect Books Ltd, ©2017
|z 9781783207695
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| 856 |
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0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvvtd
|z Texto completo
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|a Askews and Holts Library Services
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