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Douglas Sirk, aesthetic modernism and the culture of modernity /
The first truly interdisciplinary analysis to link Douglas Sirk's striking visual aesthetic to key movements in twentieth century art and architecture, this book reveals how the exaggerated artifice of Sirḱ⁰₉s formal style emerged from his detailed understanding of the artistic debates that ra...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2017]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Evans, Victoria L., |e author | |
| 245 | 1 | 0 | |a Douglas Sirk, aesthetic modernism and the culture of modernity / |c Victoria L. Evans. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (196 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 179-190) and index. | ||
| 505 | 0 | |a Part I. Sirk and the visual arts -- Thinking with the heart: Sirk and pictorial reception -- Concerning the spiritual in art: Magnificent obsession and the influence of modernist painting -- Part II. The shock of the new: traces of modernity -- The invasion of machines and machine culture -- Imitation of life and the depiction of suburban space -- Part III. Two architectural case studies -- Final chord and "Die neue Welt': the mise-en-scène of Aufbruch -- Back to the future: modernist architecture and All that heaven allows. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a The first truly interdisciplinary analysis to link Douglas Sirk's striking visual aesthetic to key movements in twentieth century art and architecture, this book reveals how the exaggerated artifice of Sirḱ⁰₉s formal style emerged from his detailed understanding of the artistic debates that raged in 1920s Europe and the post-war United States. With detailed case studies of Final Chord and All That Heaven Allows, Victoria Evans demonstrates how Sirk attempted to dissolve the boundaries of cinema by assimilating elements of avant-garde art, architecture and design into the colour, composition and setting of many of his most well-known films. Treating Sirḱ⁰₉s oeuvre as a continuum between his German and American periods, Evans argues that his mise-en-sc÷ne was the result of an interdisciplinary, transnational dialogue, and illuminates the broader cultural context in which his films appeared by establishing links between archival documents, Modernist manifestos and the philosophical writings of his peers. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Sirk, Douglas, |d 1897-1987 |x Criticism and interpretation. |
| 630 | 0 | 0 | |a All that heaven allows (Motion picture) |
| 630 | 0 | 0 | |a Schlussakkord (Motion picture) |
| 600 | 1 | 7 | |a Sirk, Douglas, |d 1897-1987 |2 fast |
| 630 | 0 | 7 | |a All that heaven allows (Motion picture) |2 fast |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Evans, Victoria L. |t Douglas Sirk, aesthetic modernism and the culture of modernity. |d Edinburgh : Edinburgh University Press, [2017] |z 1474409393 |w (OCoLC)949327413 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctt1pwt8s4 |z Texto completo |
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