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Modernism, fashion and interwar women writers /
An unprecedented sartorial revolution occurred at the beginning of the twentieth century when the tight-laced silhouettes of Victorian women gave way to the figure of the flapper. Modernism, Fashion and Interwar Women Writers demonstrates how five female novelists of the interwar period engaged with...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2017]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Plock, Vike Martina, |e author. | |
| 245 | 1 | 0 | |a Modernism, fashion and interwar women writers / |c Vike Martina Plock. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (x, 246 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 223-238) and index. | ||
| 505 | 0 | |a Novelty and the market: Edith Wharton -- Conformity and idiosyncrasy: Jean Rhys -- Patterns: Rosamond Lehmann -- Ties: Elizabeth Bowen -- Uniforms and Uniformity: Virginia Woolf. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a An unprecedented sartorial revolution occurred at the beginning of the twentieth century when the tight-laced silhouettes of Victorian women gave way to the figure of the flapper. Modernism, Fashion and Interwar Women Writers demonstrates how five female novelists of the interwar period engaged with an emerging fashion discourse that concealed capitalist modernitý⁰₉s economic reliance on mass-manufactured, uniform-looking productions by ostensibly celebrating originality and difference. For Edith Wharton, Jean Rhys, Rosamond Lehmann, Elizabeth Bowen and Virginia Woolf fashion was never just the provider of guidelines on what to wear. Rather, it was an important concern, offering them opportunities to express their opinions about identity politics, about contemporary gender dynamics and about changing conceptions of authorship and literary productivity. By examining their published work and unpublished correspondence, this book investigates how the chosen authors used fashion terminology to discuss the possibilities available to women to express difference and individuality in a world that actually favoured standardised products and collective formations. | ||
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| 650 | 0 | |a English literature |x Women authors |x History and criticism. | |
| 650 | 0 | |a Fashion in literature. | |
| 650 | 6 | |a Écrits de femmes anglais |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Feminist. |2 bisacsh | |
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| 650 | 7 | |a Fashion in literature |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Plock, Vike Martina. |t Modernism, fashion and interwar women writers. |d Edinburgh : Edinburgh University Press, [2017] |z 9781474427418 |w (DLC) 2017296841 |w (OCoLC)969414778 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctt1pwt33c |z Texto completo |
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