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Somebody telling somebody else : a rhetorical poetics of narrative /

"In Somebody Telling Somebody Else: A Rhetorical Poetics of Narrative, James Phelan proposes a paradigm shift for narrative theory, a turn from viewing narrative as a structure to viewing it as a rhetorical action in which a teller selectively deploys the resources of storytelling in order to a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Phelan, James, 1951- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Columbus : The Ohio State University Press, [2017]
Colección:Theory and interpretation of narrative series.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Part 1. On the explanatory power of rhetorical poetics. Introduction. Principles of rhetorical poetics. Somebody telling somebody else: authors, resources, audiences
  • Somebody telling somebody else: audiences and probable impossibilities
  • Part 2. Resources : generic frames, techniques, occasions--and synergies. Introduction. Constructing a rhetorical poetics. Probability in fiction and nonfiction: pride and prejudice and the year of magical thinking
  • Engaging the stubborn: narrative speed and readerly judgments in Franz Kafka's "Das Urteil"
  • Estranging unreliability, bonding unreliability, and the ethics of Lolita
  • The how and why of backward narration in Martin Amis's Time's arrow
  • "I affirm nothing": Lord Jim and the uses of textual recalcitrance
  • Toni Morrison's determinate ambiguity in "Recitatif"
  • Conversational and authorial disclosure in dialogue narrative: George Higgins's The friends of Eddie Coyle and John O'Hara's "Appearances"
  • The implied author, deficient narration, and nonfiction narrative: Joan Didion's The Year of Magical Thinking and Jean-Dominique Bauby's The Diving Bell and the Butterfly
  • Reliability, dialogue, and crossover effects in Jhumpa Lahiri's "The third and final continent"
  • Reliable, unreliable, and deficient narration: toward a rhetorical poetics
  • Occasions of narration and the functions of narrative segments in enduring love
  • Conclusion: Reflections on the how and why of rhetorical poetics.