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New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man""
James Weldon Johnson (1871-1938) exemplified the ideal of the American public intellectual as a writer, educator, songwriter, diplomat, key figure of the Harlem Renaissance, and first African American executive of the NAACP. Originally published anonymously in 1912, Johnson's novel The Autobiog...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | , , , , , , , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Athens :
University of Georgia Press,
2017.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man"" |
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| 505 | 0 | |a Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Introduction: Biography of an Author, Biography of a Text: James Weldon Johnson's Ultimate American Work; Part One: Cultures of Reading, Cultures of Writing: Canons and Authenticity; "Stepping across the Confines of Language and Race": Brander Matthews, James Weldon Johnson, and Racial Cosmopolitanism; How The Autobiography of an Ex-Colored Man Became an Unlikely Literary Classic; Authenticity and Transparency in The Autobiography of an Ex-Colored Man. | |
| 505 | 8 | |a Part Two: Relational Tropes: Transnationalism, Futurity, and the Ex-Colored ManThe Futurity of Miscegenation: James Weldon Johnson's The Autobiography of an Ex-Colored Man and Pauline Hopkins's Of One Blood; Blackness Written, Erased, Rewritten: James Weldon Johnson, Teju Cole, and the Palimpsest of Modernity; Dead Ambitions and Repeated Interruptions: Economies of Race and Temporality in The Autobiography of an Ex-Coloured Man; Part Three: Poetics: Sound, Affect, and the Archive; The Autobiography as Ars Poetica: Satire and Rhythmic Exegesis in "Saint Peter Relates an Incident." | |
| 505 | 8 | |a The Composer versus the "Perfessor": Writing Race and (Rag)TimeJames Weldon Johnson's The Autobiography of an Ex-Colored Man, Archived and Live; Part Four: Legacies; W.E.B. Du Bois, Barack Obama, and the Search for Race: School House Blues; Afterword: The Ex-Colored Man for a New Century; Suggested Further Reading; Contributors; Index. | |
| 520 | |a James Weldon Johnson (1871-1938) exemplified the ideal of the American public intellectual as a writer, educator, songwriter, diplomat, key figure of the Harlem Renaissance, and first African American executive of the NAACP. Originally published anonymously in 1912, Johnson's novel The Autobiography of an Ex-Colored Man is considered one of the foundational works of twentieth-century African American literature, and its themes and forms have been taken up by other writers, from Ralph Ellison to Teju Cole. Johnson's novel provocatively engages with political and cultural strains still prevalent in American discourse today, and it remains in print over a century after its initial publication. New Perspectives contains fresh essays that analyze the book's reverberations, the contexts within which it was created and received, the aesthetic and intellectual developments of its author, and its continued relevance in American literature and global culture. -- from back cover. | ||
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| 700 | 1 | |a Lamothe, Daphne. | |
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| 700 | 1 | |a Morrissette, Noelle. | |
| 776 | 0 | 8 | |i Print version: |a Oliver, Lawrence. |t New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man"". |d Athens : University of Georgia Press, ©2017 |z 9780820350974 |
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