Cargando…
Foucault on painting /
Michel Foucault had been concerned about painting and the meaning of the image from his earliest publications, yet this aspect of his thought is largely neglected within the disciplines of art history and aesthetic theory. In Foucault on Painting, Catherine M. Soussloff argues that Foucault?s sustai...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis, MN :
University of Minnesota Press,
[2017]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn998753023 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 170731s2017 mnuaf ob 001 0 eng | ||
| 010 | |a 2017036342 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d OCLCF |d JSTOR |d YDX |d IDEBK |d EBLCP |d YDX |d OCLCO |d N$T |d UAB |d P@U |d MERUC |d MZA |d OCLCQ |d OCLCO |d EZ9 |d UUM |d OCLCQ |d INT |d AU@ |d OCLCQ |d UX1 |d OCLCO |d OCLCQ |d SFB |d OCLCQ |d OCLCO | ||
| 019 | |a 1012939248 |a 1017608361 |a 1053584090 |a 1059030399 |a 1175621260 | ||
| 020 | |a 9781452955056 |q (electronic book) | ||
| 020 | |a 1452955050 |q (electronic book) | ||
| 020 | |a 9781452955049 |q (electronic book) | ||
| 020 | |a 1452955042 |q (electronic book) | ||
| 020 | |z 9781517902414 |q (hardcover) | ||
| 020 | |z 151790241X | ||
| 020 | |z 9781517902421 | ||
| 020 | |z 1517902428 | ||
| 029 | 1 | |a AU@ |b 000060570015 | |
| 029 | 1 | |a CHNEW |b 000981582 | |
| 029 | 1 | |a CHVBK |b 507495578 | |
| 029 | 1 | |a AU@ |b 000067036833 | |
| 035 | |a (OCoLC)998753023 |z (OCoLC)1012939248 |z (OCoLC)1017608361 |z (OCoLC)1053584090 |z (OCoLC)1059030399 |z (OCoLC)1175621260 | ||
| 037 | |a 22573/ctt1p57v3p |b JSTOR | ||
| 042 | |a pcc | ||
| 050 | 1 | 4 | |a B2430.F724 |b S68 2017 |
| 072 | 7 | |a ART009000 |2 bisacsh | |
| 072 | 7 | |a PHI001000 |2 bisacsh | |
| 082 | 0 | 0 | |a 750.1 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Soussloff, Catherine M., |e author. | |
| 245 | 1 | 0 | |a Foucault on painting / |c Catherine M. Soussloff. |
| 264 | 1 | |a Minneapolis, MN : |b University of Minnesota Press, |c [2017] | |
| 300 | |a 1 online resource (xii, 162 pages, 10 unnumbered pages of plates) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Two of the Plates are only available in the Print edition of this book, therefore there are 10 unnumbered pages of plates in the electronic edition, instead of 12 pages. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a What painting does -- Systems of art historical and philosophical thought -- The place of painting: Velazquez's Las Meninas -- The limits of irony: Manet's painting -- The negativity of painting: Magritte's this is not a pipe -- Painting in the light of photography: Fromanger's methods. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on December 01, 2017). | |
| 520 | 8 | |a Michel Foucault had been concerned about painting and the meaning of the image from his earliest publications, yet this aspect of his thought is largely neglected within the disciplines of art history and aesthetic theory. In Foucault on Painting, Catherine M. Soussloff argues that Foucault?s sustained engagement with European art history critically addresses present concerns about the mediated nature of the image in the digital age. Foucault?s writing on painting covers four discrete periods in European art history (seventeenth-century southern Baroque, mid-nineteenth century French painting, Surrealism, and figurative painting in the 1960s and?70s) as well as five individual artists: Velázquez, Manet, Magritte, Paul Reyberolle, and Gérard Fromanger. As Soussloff reveals in this book, Foucault followed a French intellectual tradition dating back to the seventeenth century, which understands painting as a separate area of knowledge. Painting, a practice long considered silent in its operations and effects, afforded Foucault an ideal discipline to think about history and philosophy simultaneously. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Foucault, Michel, |d 1926-1984. |
| 600 | 1 | 7 | |a Foucault, Michel, |d 1926-1984 |2 fast |
| 650 | 0 | |a Painting. | |
| 650 | 0 | |a Art |x Philosophy. | |
| 650 | 2 | |a Paintings | |
| 650 | 6 | |a Peinture. | |
| 650 | 6 | |a Art |x Philosophie. | |
| 650 | 7 | |a ART |x Criticism & Theory. |2 bisacsh | |
| 650 | 7 | |a Art |x Philosophy |2 fast | |
| 650 | 7 | |a Painting |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Soussloff, Catherine M. |t Foucault on painting. |d Minneapolis : University of Minnesota Press, 2017 |z 9781517902414 |w (DLC) 2017020944 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5749/j.ctt1pwt7m2 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5161250 | ||
| 938 | |a EBSCOhost |b EBSC |n 1506183 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis39437400 | ||
| 938 | |a Project MUSE |b MUSE |n muse60675 | ||
| 938 | |a YBP Library Services |b YANK |n 15004301 | ||
| 994 | |a 92 |b IZTAP | ||