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Productive failure : writing queer transnational South Asian art histories /
This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2017.
|
| Colección: | Rethinking art's histories.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Patel, Alpesh Kantilal, |e author. | |
| 245 | 1 | 0 | |a Productive failure : |b writing queer transnational South Asian art histories / |c Alpesh Kantilal Patel. |
| 264 | 1 | |a Manchester : |b Manchester University Press, |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (xxii, 250 pages, 16 unnumbered pages of plates) : |b illustrations (some color) | ||
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| 490 | 1 | |a Rethinking art's histories | |
| 504 | |a Includes bibliographical references (pages 215-239) and index. | ||
| 520 | 8 | |a This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. I also examine 'whiteness', the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. As the book progresses, art historical 'writing' includes a range of practice-led forms, such as curating exhibitions or my affective engagement with visual culture. Overall, I suggest methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Introduction: towards creolizing transnational South Asian art histories -- Authorship: Anish Kapoor as British/Asian/artist -- Form: queer zen -- Subject matter: writing as a racial pharmakon -- Space/site: writing queer feminist transnational South Asian art histories -- 'Practice-led': producing art, producing art history -- Affect belonging. | |
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| 650 | 0 | |a Art |z South Asia |x History. | |
| 650 | 0 | |a Art |x Historiography. | |
| 650 | 0 | |a Art and race. | |
| 650 | 0 | |a Homosexuality and art. | |
| 650 | 0 | |a Queer theory. | |
| 650 | 6 | |a Art |z Asie méridionale |x Histoire. | |
| 650 | 6 | |a Art |x Historiographie. | |
| 650 | 6 | |a Art et race. | |
| 650 | 6 | |a Homosexualité et art. | |
| 650 | 6 | |a Théorie queer. | |
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| 650 | 7 | |a ART |x Asian. |2 bisacsh | |
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| 650 | 7 | |a Homosexuality and art |2 fast | |
| 650 | 7 | |a Queer theory |2 fast | |
| 651 | 7 | |a South Asia |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Patel, Alpesh Kantilal. |t Productive failure. |d Manchester : Manchester University Press, 2017 |z 9781784992545 |w (OCoLC)968773585 |
| 830 | 0 | |a Rethinking art's histories. | |
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