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JSTOR_ocn996427495 |
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20231005004200.0 |
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170731t20172017enk o 000 0 eng d |
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|a YDX
|b eng
|e pn
|c YDX
|d N$T
|d JSTOR
|d IDEBK
|d EBLCP
|d OCLCQ
|d OCLCF
|d MERUC
|d EZ9
|d OCLCQ
|d U3W
|d NLE
|d BRX
|d UKMGB
|d OCLCQ
|d K6U
|d OCLCO
|d UKAHL
|d OCLCO
|d YWS
|d OCLCQ
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|a GBB8C8603
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|a GBB996489
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|a 018475003
|2 Uk
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|a 019406491
|2 Uk
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|a 9781787440371
|q (electronic bk.)
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|a 1787440370
|q (electronic bk.)
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|a 9781787440944
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|a 178744094X
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|z 9781847011558
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|z 1847011551
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|z 9781847011770
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|z 1847011772
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|a AU@
|b 000061241175
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|a UKMGB
|b 018475003
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|a UKMGB
|b 019406491
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|a (OCoLC)996427495
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|a 22573/ctt1p6r1hf
|b JSTOR
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|a PQ3980.5
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|a LIT
|x 004150
|2 bisacsh
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|a SOC001000
|2 bisacsh
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|a LIT004010
|2 bisacsh
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|a MUS025000
|2 bisacsh
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|a 840.9/960904
|2 23
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|a UAMI
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|a Higginson, Pim,
|e author.
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1 |
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|a Scoring race :
|b jazz, fiction, and Francophone Africa /
|c Pim Higginson.
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|a Woodbridge, Suffolk ;
|a Rochester, NY :
|b James Currey is an imprint of Boydell & Brewer Ltd,
|c 2017.
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|c ©2017
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a African articulations
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|a Frontcover; Contents; Acknowledgments; Introduction. Scoring Race: Music, Writing, and Difference in a French Context; Armstrong Plays Kinshasa; The Philosophical Genealogy of the Racial Score; Music, Language, and Scientific Racism; France, Jazz, and the Racial Score; 1 Jazz Fictions and the French Novel: Four Cases; Believing the Score: Soupault's Le Nègre; Jean-Paul Sartre and Existential Blackness; Boris Vian and the Inescapable Score; Abject Whiteness: Jazz Fiction Today; 2 Querying Jazz: Early Francophone African Engagements with the Racial Score; Jazz Nightmares: Mirages de Paris.
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|a Absolute Music: Emmanuel Dongala's 'Jazz et vin de palme' and 'A Love Supreme'Trop de soleil tue l'amour: Jazz and the End of Time; 3 Challenging the Score: Francophone African Reconfigurations of Jazz Today; Kangni Alem: Mirages d'Afrique; Coltrane's in the (Whore- )House: Fiston Mwanza Mujila's Tram 83 and the Rewriting of Emmanuel Dongala; Vultures at the Crossroads: Abdourahman Waberi's La Divine Chanson; Jazz Ain't Nothing But a Sandwich; Conclusion; 4 Black Bodies, Black Sounds: Film and the Racial Score; Incarnating the Score: Josephine Baker and Princesse Tam-Tam.
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|a Exploding/Exploring the Score: Karmen Geï and the Many Modalities of African JazzBibliography; Index.
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|a Explores in depth how Francophone African authors and filmmakers have negotiated the French construction of jazz as the medium of an exoticized and radical alterity.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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|a African literature (French)
|y 20th century
|x History and criticism.
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650 |
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|a Littérature africaine (française)
|y 20e siècle
|x Histoire et critique.
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650 |
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|a LITERARY CRITICISM
|x European
|x French.
|2 bisacsh
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650 |
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|a SOCIAL SCIENCE
|x Ethnic Studies
|x African American Studies.
|2 bisacsh
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650 |
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|a African literature (French)
|2 fast
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651 |
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|a Frankophones Afrika
|2 gnd
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648 |
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|a 1900-1999
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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776 |
0 |
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|i Print version:
|z 9781847011558
|z 1847011551
|w (OCoLC)991400158
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830 |
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0 |
|a African articulations.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt1pwt4tq
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH34554643
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH36197956
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL4844140
|
938 |
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|a EBSCOhost
|b EBSC
|n 1507146
|
938 |
|
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis38556683
|
938 |
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|a YBP Library Services
|b YANK
|n 14725739
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994 |
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|a 92
|b IZTAP
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