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|a NLE
|b eng
|e rda
|e pn
|c NLE
|d JSTOR
|d OCLCF
|d KIJ
|d OCLCQ
|d OCLCO
|d S2H
|d OCLCO
|d DEGRU
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|a 9781782388630
|q (electronic bk.)
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|a 178238863X
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|a AU@
|b 000062576302
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|a (OCoLC)995359714
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|a 978178238863001
|b Perseus Distribution
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|a 22573/ctt1x8cbbr
|b JSTOR
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|a NX180.S6
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|a HIS024000
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|a 306.4/7/098
|2 22
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|a UAMI
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|a Images of Power :
|b Iconography, Culture and the State in Latin America /
|c Jens Andermann, William Rowe.
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|a 1st
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|a New York, NY :
|b Berghahn Books,
|c 2004.
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|a 1 online resource (320 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Remapping Cultural History ;
|v 2
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|a Heike Vogt) Chapter 4. Material Memories: Tradition and Amnesia in two Argentine Museums; Alvaro Fernández Bravo PART II: SELF AND OTHER IN THE AVANT-GARDE Chapter 5. Exoticism, Alterity and the Ecuadorean Elite: The Work of Camilo Egas; Trinidad Pérez (transl. Philip Derbyshire) Chapter 6. Primitivist Iconographies: Tango and Samba, Images of the Nation; Florencia Garramuño Chapter 7. 'Argentina in the World': Internationalist Nationalism in the Art of the 1960s; Andrea Giunta (transl.
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|a Jens Andermann) Chapter 13. Why the Virgin of Zapopan went to Los Angeles: Reflections on Mobility and Globality; Mary Louise Pratt Notes on Contributors; Index.
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|a In Latin America, where even today writing has remained a restricted form of expression, the task of generating consent and imposing the emergent nation-state as the exclusive form of the political, was largely conferred to the image. Furthermore, at the moment of its historical demise, the new, 'postmodern' forms of sovereignty appear to rely even more heavily on visual discourses of power. However, a critique of the iconography of the modern state-form has been missing. This volume is the first concerted attempt by cultural, historical and visual scholars to address the political dimension of visual culture in Latin America, in a comparative perspective spanning various regions and historical stages. The case studies are divided into four sections, analysing the formation of a public sphere, the visual politics of avant-garde art, the impact of mass society on political iconography, and the consolidation and crisis of territory as a key icon of the state.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Arts and society
|z Latin America.
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650 |
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|a Nationalism and art
|z Latin America.
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650 |
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|a Visual communication
|z Latin America.
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650 |
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|a Communication and the arts
|z Latin America.
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650 |
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|a Arts et société
|z Amérique latine.
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650 |
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6 |
|a Nationalisme et art
|z Amérique latine.
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650 |
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6 |
|a Communication visuelle
|z Amérique latine.
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650 |
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6 |
|a Communication et arts
|z Amérique latine.
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650 |
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7 |
|a SOCIAL SCIENCE
|x General.
|2 bisacsh
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650 |
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7 |
|a Arts and society.
|2 fast
|0 (OCoLC)fst00817856
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650 |
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7 |
|a Communication and the arts.
|2 fast
|0 (OCoLC)fst00870046
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650 |
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|a Nationalism and art.
|2 fast
|0 (OCoLC)fst01033874
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650 |
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|a Visual communication.
|2 fast
|0 (OCoLC)fst01167997
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651 |
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|a Latin America.
|2 fast
|0 (OCoLC)fst01245945
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700 |
1 |
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|a Andermann, Jens,
|e editor.
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1 |
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|a Rowe, William,
|e editor.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1x76f4f
|z Texto completo
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938 |
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|a De Gruyter
|b DEGR
|n 9781782388630
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994 |
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|a 92
|b IZTAP
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