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Reservation Reelism : Redfacing, Visual Sovereignty, and Representations of Native Americans in Film.
In this deeply engaging account, Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provide...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | eBook |
| Idioma: | Inglés |
| Publicado: |
Lincoln :
University of Nebraska Press,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn994398689 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr |n|---||||| | ||
| 008 | 130418s2011 nbu o 000 0 eng d | ||
| 040 | |a XFH |b eng |c XFH |d OCLCO |d OCLCQ |d OCLCF |d OCLCQ |d OCLCO |d OCLCQ |d OCLCA |d OCLCO | ||
| 020 | |a 0803211260 | ||
| 020 | |a 9780803211261 | ||
| 029 | 1 | |a AU@ |b 000068091372 | |
| 035 | |a (OCoLC)994398689 | ||
| 050 | 4 | |a PN1995.9.I48 R34 2010 | |
| 082 | 0 | 4 | |a 302.23089 22 |a 791.43652997 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Raheja, Michelle H. | |
| 245 | 1 | 0 | |a Reservation Reelism : |b Redfacing, Visual Sovereignty, and Representations of Native Americans in Film. |
| 246 | 3 | |a Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film | |
| 260 | |a Lincoln : |b University of Nebraska Press, |c 2011. | ||
| 300 | |a 1 online resource (359 pages) | ||
| 336 | |a text |b txt | ||
| 337 | |a computer |b c | ||
| 338 | |a online resource |b cr | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Title Page; Copyright Page; Table of Contents; List of Illustrations; Preface; Acknowledgments; 1. Toward a Genealogy of Indigenous Film Theory: Reading Hollywood Indians; 2. Ideologies of (In)Visibility: Redfacing, Gender, and Moving Images; 3. Tears and Trash: Economies of Redfacing and the Ghostly Indian; 4. Prophesizing on the Virtual Reservation: Imprint and It Starts with a Whisper; 5. Visual Sovereignty, Indigenous Revisions of Ethnography, and Atanarjuat (The Fast Runner); 6. Epilogue; Notes; Bibliography; Index. | |
| 520 | |a In this deeply engaging account, Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Ind. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Indians in motion pictures |x History |y 20th century. | |
| 650 | 0 | |a Indigenous peoples in motion pictures. | |
| 650 | 0 | |a Indians in the motion picture industry. | |
| 650 | 0 | |a Stereotypes (Social psychology) in motion pictures. | |
| 650 | 0 | |a Motion pictures. | |
| 650 | 6 | |a Peuples autochtones au cinéma |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Autochtones au cinéma. | |
| 650 | 6 | |a Stéréotypes au cinéma. | |
| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a Indians in motion pictures |2 fast | |
| 650 | 7 | |a Indians in the motion picture industry |2 fast | |
| 650 | 7 | |a Indigenous peoples in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Stereotypes (Social psychology) in motion pictures |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1dfnrq6 |z Texto completo |
| 994 | |a 92 |b IZTAP | ||