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"Ich bin eine Kanackin" : decolonizing popfeminism-- transcultural perspectives on Lady Bitch Ray /
Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term 'Kanackin'. She especially searches for the lost relation between popfeminism in Germany and histories of migration. By means of decolonial methodologies and Situational Analysis, the study w...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Tesis Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bielefeld :
Transcript,
[2017]
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| Colección: | Gender studies (Bielefeld, Germany)
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Tuzcu, Pinar, |e author. | |
| 245 | 1 | 0 | |a "Ich bin eine Kanackin" : |b decolonizing popfeminism-- transcultural perspectives on Lady Bitch Ray / |c Pinar Tuzcu. |
| 264 | 1 | |a Bielefeld : |b Transcript, |c [2017] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Gender studies | |
| 500 | |a Reyhan Şahin, also known as Lady Bitch Ray. | ||
| 502 | |c University of Kassel |d 2015 | ||
| 546 | |a In English. | ||
| 504 | |a Includes bibliographical references (pages 159-189). | ||
| 520 | 8 | |a Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term 'Kanackin'. She especially searches for the lost relation between popfeminism in Germany and histories of migration. By means of decolonial methodologies and Situational Analysis, the study works through the contradictory forms of positioning that occurred in group discussions with Turkish-German university students about Lady Bitch Ray's music videos. From a transcultural angle, Tuzcu argues that these contradictory forms of positioning bear traces of emergent discourses that reach beyond Western-centric descriptions of feminism in Germany. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Machine generated contents note: "Ich bin 'ne Kanackin" -- Beyond Sexual Explicitness -- Resistance Through Insistence -- Feminism's (M)others -- Kanack_in -- Pluralizations and Queerings -- Translingualizations -- Productive Paradoxes -- Situational Analysis of the Group Discussions -- Situational Analysis -- Maps, Gaps, and Traps -- Shaping Discourses, Knitting the Not Yet -- Linking Theoretical Sensitivity with Self-Reflexivity -- Grounded Theory in Multilingual Research -- In-Vivo Coding and Transcultural Translation -- Translanguaging the Coding Process -- In-Vivo Coding -- Living in Translation -- Situating the Group Discussions -- Informant Participants -- the Knowledge that is (not) Power -- The Unsaid in the Said; The Said in the Unsaid -- Digressions and Silences -- The Project Map: A Trefoil Knot -- Not Yet A Code -- Transcultural Locational Feminism -- Turkishness, or Where on Earth? -- "Looking one's Parents in the Eyes." | |
| 505 | 0 | |a Note continued: From Duisburg to Istanbul -- Transcultural Geographies -- Germanness -- the Second Person `I' -- Sexual Emancipation and Its Cultural Limits -- Ozenti Olmak -- Almost the Same but Not Quite -- Feminism -- Aposiopetic Positioning -- Pointing at the Limits of Existing Discourses -- A Question, Not Yet an Answer. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Şahin, Reyhan, |d 1981- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Şahin, Reyhan, |d 1981- |2 fast |
| 650 | 0 | |a Hip-hop feminism. | |
| 650 | 0 | |a Women rap musicians |z Germany. | |
| 650 | 0 | |a Women, Turkish |z Germany |x Social conditions. | |
| 650 | 0 | |a Turkish students |z Germany |x Attitudes. | |
| 650 | 6 | |a Féminisme hip-hop. | |
| 650 | 6 | |a Rappeuses |z Allemagne. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Discrimination & Race Relations. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Minority Studies. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Gender Studies |2 bisacsh | |
| 650 | 7 | |a Hip-hop feminism |2 fast | |
| 650 | 7 | |a Women rap musicians |2 fast | |
| 651 | 7 | |a Germany |2 fast | |
| 655 | 2 | |a Academic Dissertation | |
| 655 | 7 | |a dissertations. |2 aat | |
| 655 | 7 | |a Academic theses |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Academic theses. |2 lcgft | |
| 655 | 7 | |a Thèses et écrits académiques. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |a Tuzcu, Pinar. |t "Ich bin eine Kanackin". |d Bielefeld : Transcript, [2017] |z 9783839435724 |
| 830 | 0 | |a Gender studies (Bielefeld, Germany) | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371c008 |z Texto completo |
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