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Patronage, gender and the arts in early modern Italy : essays in honor of Carolyn Valone /
The sixteen articles in this volume celebrate the work and legacy of Carolyn Valone, professor of Art History, teacher, mentor and friend to many. Valone's publications on ""matrons as patrons"" and ""pie donne"" became influential, ground-breaking work i...
| Clasificación: | Libro Electrónico |
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| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, New York :
Italica Press,
2015.
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| Colección: | Italica Press studies in art and history.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro; The "Wife's Room" in Florentine Palaces of the Fifteenth and Sixteenth Centuries; Fig. 9. Plan of the primo piano of the Capponi-Barocchi Palace in the fifteenth and sixteenth centuries (reconstruction) (Caterina D'Amelio). (The salotto in the inventory of 1600 was the "camera a mezzo l'andito della Signora," and its anticamera was th; Fig. 8. Plan of the primo piano of the Corsi-Horne Palace (Fani Revithiadu).; Fig. 7. Plan of the primo piano of the Borgherini Palace in the sixteenth century (reconstruction, Giampaolo Trotta). North is to the bottom.
- Fig. 6. Plan of the primo piano of the Gondi Palace (Enrico Au Capitaine, 1867) spaces are labeled according to the division of 1537. Photo Andrea Lensini. North is to the right.; Fig. 4. Plan of the primo piano of the Pazzi Palace (reconstruction); spaces labeled according to an inventory of 1626 (Caterina D'Amelio).; Fig. 3. Plan of the primo piano of the Tornabuoni Palace in 1498 (reconstruction); spaces labeled according to the inventory of that year (Caterina D'Amelio).
- Fig. 2. Plan of the primo piano of the Gianfigliazzi Palace, with spaces labeled according to the inventory of 1485 (reconstruction by Matthew Haberling). Fig. 1. Plan of the primo piano of the Medici Palace, 1650, with selected rooms labeled according to the inventory of 1492. North is to the right.; Fig. 5. Plan of the eastern half of the primo piano of the palace of Alberto di Zanobi, later of Francesco Nori (Giuseppe Medici, 1766).; A Palace Built by a Princess?
- Fig. 4. Palazzo Pamphilj, piano nobile, from Bosticco, Piazza Navona, isola dei Pamphilj. Development of the palazzo, 1612-1646 (plan modifications by Rebecca Charbonneau). Fig. 3. Unknown Artist, View of Piazza Navona (from south end), c.1630 (Museo di Roma, MR 3651). Palazzetto Pamphilj is visible in the lower left corner of the painting.; Fig. 2. Stefano Pignatelli, Palazzetto Pamphilj, piano nobile plan, 1615 (ADP 86.2.2). Olimpia and Pamphilio's apartments are delineated in slightly darker ink at the left of the plan.