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Feminisms and contemporary art in Indonesia : defining experiences /
"While Indonesian contemporary art is currently on the rise on the international art scene, there hasn't yet been an in-depth study of the works of Indonesian women artists and the feminist strategies they employ within the art world. This book fills that gap, presenting the first comprehe...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2017]
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| Colección: | Asian visual cultures ;
2. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Table of Contents; Acknowledgements; List of Figures; Figure 1
- S. Sudjojono "Di Depan Kelambu Terbuka" (In front ofthe open mosquito net), 1939, oil on canvas, 66 x 86 cm, Ir Sukarno family collection; Figure 2
- Jim Supangkat "Ken Dedes", 1975/2005, mixed media, 61x 44 x 27 cm, Singapore Art Museum; Figure 3
- Nasyah Jamin "Gadis Makasar" (Makassar Girl), 1965, oilon canvas, 82 x 57.5 cm, National Gallery of Indonesia; Figure 4
- Emiria Sunassa "Wanita Sulawesi" (Woman of Sulawesi),1968, oil on canvas, 66 x 47 cm, Oei Hong Djien Museum.
- Figure 5
- Emiria Sunassa "Kembang Kemboja di Bali" (Frangipaniof Bali), 1958, oil on canvas, 47 x 67 cm, Oei Hong DjienMuseumFigure 6
- Emiria Sunassa "Mutiara Bermain" (Pearl at Play), dateunknown, oil on canvas, 79 x 91 cm, image courtesy ofHeidi Arbuckle; Figure 7
- Emiria Sunassa "Peniup Seruling dan Purnama" (Fluteplayer and full moon), 1958, oil on canvas, 60 x 80 cm, Iskandar Waworuntu collection; Figure 8
- Mia Bustam "Portrait Diri" (Self-portrait), 1959, oil oncanvas, dimension unknown, destroyed in 1965.
- Figure 9
- IGAK Murniasih "Rasanya kok enak ya" (Feels gooddoesn't it?), 1997, acrylic on canvas, 100 x 150 cm, whenphotographed, estate of the artistFigure 10
- IGAK Murniasih "Sembahyang" (Prayer), 2004, acrylic oncanvas, 170 x 100 cm, when photographed, estate of theartist; Figure 11
- Laksmi Shitaresmi "Kutunggu Hadirmu" (Waiting foryour arrival), 2010, acrylic and charcoal on canvas, 190 x190 cm, private collection; Figure 12
- Laksmi Shitaresmi "Aku ... aku ... beginilah aku" (Me, me, me ... this is me), 2010, fibreglass, mixed media, 156 x 168x 20 cm, private collection.
- Figure 13
- Titarubi "Bayang-bayang Maha Kecil" (Shadows of theTiniest Kind), 2003-2009, ceramics and mixed mediainstallation, dimension variable, in various private andpublic collections, including Oei Hong Djien Museumand Singapore Art MuseumFigure 14
- Titarubi "Bral geura miang" (Now is the time to depart),2004, digital print on vinyl, 200 x 150 cm, artist's collection; Figure 15
- Arahmaiani "His-Story", 2000-2001, performed at theJakarta International Performance Art Festival (JIPAF), Nippon International Performance Art Festival (NIPAF), Japan, and in Dresden, Germany.
- Figure 16
- Arahmaiani "Do not prevent the fertility of the mind",1997, mixed media installation, dimension unknown, part of Womanifesto Festival, Bangkok, ThailandFigure 17
- Arahmaiani "Flag Project" (2004-ongoing), mixed mediainstallation and performance, dimension variable, SingaporeArt Museum; Glossary and Abbreviations; 1 Introduction; Defining Experiences; "Intimate Distance" as background; Unnatural partnership: Women, political activism and feminism/s in Indonesia; The female body, art and censorship in Indonesia; Definitions and distinctions: Feminisms or gender?; Methodology.