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JSTOR_ocn993878625 |
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170717s2017 ne a ob 001 0 eng d |
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|a 2017453188
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|a N$T
|b eng
|e rda
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|d YDX
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|d AUW
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|d YWS
|d OCLCQ
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|a 1018382296
|a 1028024651
|a 1175620579
|a 1259232439
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|a 9789048526994
|q (electronic bk.)
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|a 904852699X
|q (electronic bk.)
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|z 9789089648457
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|z 9089648453
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|a 10.1515/9789048526994
|2 doi
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|a AU@
|b 000061990106
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|a GBVCP
|b 1000333566
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|a DKDLA
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|a (OCoLC)993878625
|z (OCoLC)1018382296
|z (OCoLC)1028024651
|z (OCoLC)1175620579
|z (OCoLC)1259232439
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|a 22573/ctt1rph9d5
|b JSTOR
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|a N7326
|b .D57 2017eb
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|a ART
|x 015000
|2 bisacsh
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|a (910)7.071-055.2 DIR
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|a 709.598
|2 23
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|a UAMI
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|a Dirgantoro, Wulan,
|e author.
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|a Feminisms and contemporary art in Indonesia :
|b defining experiences /
|c Wulan Dirgantoro.
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|a Amsterdam :
|b Amsterdam University Press,
|c [2017]
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|c ©2017
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|a 1 online resource (227 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Asian visual cultures ;
|v 2
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|a Includes bibliographical references and index.
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|a Online resource; title from PDF title page (EBSCO, viewed July 27, 2017).
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|a Cover; Table of Contents; Acknowledgements; List of Figures; Figure 1 -- S. Sudjojono "Di Depan Kelambu Terbuka" (In front ofthe open mosquito net), 1939, oil on canvas, 66 x 86 cm, Ir Sukarno family collection; Figure 2 -- Jim Supangkat "Ken Dedes", 1975/2005, mixed media, 61x 44 x 27 cm, Singapore Art Museum; Figure 3 -- Nasyah Jamin "Gadis Makasar" (Makassar Girl), 1965, oilon canvas, 82 x 57.5 cm, National Gallery of Indonesia; Figure 4 -- Emiria Sunassa "Wanita Sulawesi" (Woman of Sulawesi),1968, oil on canvas, 66 x 47 cm, Oei Hong Djien Museum.
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|a Figure 5 -- Emiria Sunassa "Kembang Kemboja di Bali" (Frangipaniof Bali), 1958, oil on canvas, 47 x 67 cm, Oei Hong DjienMuseumFigure 6 -- Emiria Sunassa "Mutiara Bermain" (Pearl at Play), dateunknown, oil on canvas, 79 x 91 cm, image courtesy ofHeidi Arbuckle; Figure 7 -- Emiria Sunassa "Peniup Seruling dan Purnama" (Fluteplayer and full moon), 1958, oil on canvas, 60 x 80 cm, Iskandar Waworuntu collection; Figure 8 -- Mia Bustam "Portrait Diri" (Self-portrait), 1959, oil oncanvas, dimension unknown, destroyed in 1965.
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|a Figure 9 -- IGAK Murniasih "Rasanya kok enak ya" (Feels gooddoesn't it?), 1997, acrylic on canvas, 100 x 150 cm, whenphotographed, estate of the artistFigure 10 -- IGAK Murniasih "Sembahyang" (Prayer), 2004, acrylic oncanvas, 170 x 100 cm, when photographed, estate of theartist; Figure 11 -- Laksmi Shitaresmi "Kutunggu Hadirmu" (Waiting foryour arrival), 2010, acrylic and charcoal on canvas, 190 x190 cm, private collection; Figure 12 -- Laksmi Shitaresmi "Aku ... aku ... beginilah aku" (Me, me, me ... this is me), 2010, fibreglass, mixed media, 156 x 168x 20 cm, private collection.
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|a Figure 13 -- Titarubi "Bayang-bayang Maha Kecil" (Shadows of theTiniest Kind), 2003-2009, ceramics and mixed mediainstallation, dimension variable, in various private andpublic collections, including Oei Hong Djien Museumand Singapore Art MuseumFigure 14 -- Titarubi "Bral geura miang" (Now is the time to depart),2004, digital print on vinyl, 200 x 150 cm, artist's collection; Figure 15 -- Arahmaiani "His-Story", 2000-2001, performed at theJakarta International Performance Art Festival (JIPAF), Nippon International Performance Art Festival (NIPAF), Japan, and in Dresden, Germany.
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|a Figure 16 -- Arahmaiani "Do not prevent the fertility of the mind",1997, mixed media installation, dimension unknown, part of Womanifesto Festival, Bangkok, ThailandFigure 17 -- Arahmaiani "Flag Project" (2004-ongoing), mixed mediainstallation and performance, dimension variable, SingaporeArt Museum; Glossary and Abbreviations; 1 Introduction; Defining Experiences; "Intimate Distance" as background; Unnatural partnership: Women, political activism and feminism/s in Indonesia; The female body, art and censorship in Indonesia; Definitions and distinctions: Feminisms or gender?; Methodology.
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|a "While Indonesian contemporary art is currently on the rise on the international art scene, there hasn't yet been an in-depth study of the works of Indonesian women artists and the feminist strategies they employ within the art world. This book fills that gap, presenting the first comprehensive study of feminisms and contemporary art in Indonesia; using feminist readings to analyse the works of Indonesian women artists historically and today; illuminating the sociocultural contexts in which they have worked; and offering a nuanced understanding of local feminisms in the nation."--Publisher's website.
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|a In English.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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|a Feminism and art.
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|a Art, Indonesian.
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|a Féminisme et art.
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|a Art indonésien.
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|a ART
|x History
|x General.
|2 bisacsh
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|a Art, Indonesian
|2 fast
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|a Feminism and art
|2 fast
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|a Indonesia, visual arts, women artists, feminisms.
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|z 90-8964-845-3
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|a Asian visual cultures ;
|v 2.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1rrd7sc
|z Texto completo
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938 |
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|a Amsterdam University Press
|b AUPA
|n 9789048526994
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938 |
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|a Digitalia Publishing
|b DGIT
|n DIGAMSTUP0050
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938 |
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|a De Gruyter
|b DEGR
|n 9789048526994
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938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL4913999
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|a EBSCOhost
|b EBSC
|n 1555296
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938 |
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis38490195
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938 |
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|a YBP Library Services
|b YANK
|n 14696749
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994 |
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|a 92
|b IZTAP
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