Staging creolization : women's theater and performance from the French Caribbean /

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"Emily Sahakian examines plays by Ina Césaire, Maryse Condé, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French C...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sahakian, Emily (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Charlottesville : University of Virginia Press, 2017.
Colección:New World studies.
Temas:
Césaire, Ina > Criticism and interpretation.
Condé, Maryse > Criticism and interpretation.
Dambury, Gerty > Criticism and interpretation.
Schwarz-Bart, Simone > Criticism and interpretation.
Conde, Maryse > Criticism and interpretation.
Cesaire, Ina > Criticism and interpretation.
Césaire, Ina
Condé, Maryse
Dambury, Gerty
Schwarz-Bart, Simone
Ubu Repertory Theater.
Ubu Repertory Theater
1900-1999
Caribbean drama (French Creole) > History and criticism.
Caribbean drama (French Creole) > Women authors > History and criticism.
Theater > Caribbean, French-speaking > History > 20th century.
Women in literature.
Cultural fusion.
Théâtre antillais (créole français) > Histoire et critique.
Théâtre > Antilles francophones > Histoire > 20e siècle.
Femmes dans la littérature.
Double appartenance (Sciences sociales)
DRAMA > Continental European.
LITERARY CRITICISM > Caribbean & Latin American.
Caribbean drama (French Creole)
Cultural fusion
Theater
Women in literature
Caribbean Area, French-speaking
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction
  • Unsettling the gendered stereotypes of plantation culture: Ina Cesaire's Rosanie Soleil and Maryse Conde's Pension les Alizes
  • Remixing unity and difference: Maryse Conde's An tan revolisyon, Ina Cesaire's Memoires d'isles and Gerty Dambury's Lettres indiennes
  • Syncretizing performance and moral code: Ina Cesaire's L'enfant des passages and Simone Schwarz-Bart's Ton beau capitaine
  • Diaspora performances at Ubu Repertory Theater in New York
  • Recasting the Francophone Caribbean couple at Ubu Repertory Theater
  • Coda: creolizing knowledge in U.S. university performances.

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