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Staging creolization : women's theater and performance from the French Caribbean /
"Emily Sahakian examines plays by Ina Césaire, Maryse Condé, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French C...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Charlottesville :
University of Virginia Press,
2017.
|
| Colección: | New World studies.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 049 | |a UAMI | ||
| 100 | 1 | |a Sahakian, Emily, |e author. | |
| 245 | 1 | 0 | |a Staging creolization : |b women's theater and performance from the French Caribbean / |c Emily Sahakian. |
| 246 | 3 | 0 | |a Women's theater and performance from the French Caribbean |
| 264 | 1 | |a Charlottesville : |b University of Virginia Press, |c 2017. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a New world studie | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Emily Sahakian examines plays by Ina Césaire, Maryse Condé, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolization -- the process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism"-- |c Provided by publisher | ||
| 505 | 0 | |a Introduction -- Unsettling the gendered stereotypes of plantation culture: Ina Cesaire's Rosanie Soleil and Maryse Conde's Pension les Alizes -- Remixing unity and difference: Maryse Conde's An tan revolisyon, Ina Cesaire's Memoires d'isles and Gerty Dambury's Lettres indiennes -- Syncretizing performance and moral code: Ina Cesaire's L'enfant des passages and Simone Schwarz-Bart's Ton beau capitaine -- Diaspora performances at Ubu Repertory Theater in New York -- Recasting the Francophone Caribbean couple at Ubu Repertory Theater -- Coda: creolizing knowledge in U.S. university performances. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Césaire, Ina |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Condé, Maryse |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Dambury, Gerty |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Schwarz-Bart, Simone |x Criticism and interpretation. |
| 610 | 2 | 0 | |a Ubu Repertory Theater. |
| 600 | 1 | 1 | |a Schwarz-Bart, Simone |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Dambury, Gerty |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Conde, Maryse |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Cesaire, Ina |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Césaire, Ina |2 fast |
| 600 | 1 | 7 | |a Condé, Maryse |2 fast |
| 600 | 1 | 7 | |a Dambury, Gerty |2 fast |
| 600 | 1 | 7 | |a Schwarz-Bart, Simone |2 fast |
| 610 | 2 | 7 | |a Ubu Repertory Theater |2 fast |
| 650 | 0 | |a Caribbean drama (French Creole) |x History and criticism. | |
| 650 | 0 | |a Caribbean drama (French Creole) |x Women authors |x History and criticism. | |
| 650 | 0 | |a Theater |z Caribbean, French-speaking |x History |y 20th century. | |
| 650 | 0 | |a Women in literature. | |
| 650 | 0 | |a Cultural fusion. | |
| 650 | 6 | |a Théâtre antillais (créole français) |x Histoire et critique. | |
| 650 | 6 | |a Théâtre |z Antilles francophones |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Femmes dans la littérature. | |
| 650 | 6 | |a Double appartenance (Sciences sociales) | |
| 650 | 7 | |a DRAMA |x Continental European. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Caribbean & Latin American. |2 bisacsh | |
| 650 | 7 | |a Caribbean drama (French Creole) |2 fast | |
| 650 | 7 | |a Cultural fusion |2 fast | |
| 650 | 7 | |a Theater |2 fast | |
| 650 | 7 | |a Women in literature |2 fast | |
| 651 | 7 | |a Caribbean Area, French-speaking |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Sahakian, Emily. |t Staging creolization. |d Charlottesville : University of Virginia Press, 2017 |z 9780813940076 |w (DLC) 2017001105 |w (OCoLC)965145257 |
| 830 | 0 | |a New World studies. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1rfss3z |z Texto completo |
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