Making believe : screen performance and special effects in popular cinema /

Mostrar otras versiones (1)

"In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizi...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bode, Lisa, 1970- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick : Rutgers University Press, 2017.
Colección:Techniques of the moving image.
Temas:
Cinematography > Special effects.
Digital cinematography.
Human locomotion > Computer simulation.
Movement (Acting) > Technique.
Cinéma > Effets spéciaux.
Cinéma numérique.
Locomotion humaine > Simulation par ordinateur.
Mouvement (Art dramatique) > Technique.
PERFORMING ARTS > Film & Video > History & Criticism.
TECHNOLOGY & ENGINEERING > Television & Video.
COMPUTERS > Digital Media > Video & Animation.
ART > Film & Video.
PERFORMING ARTS > Reference.
SOCIAL SCIENCE > Media Studies.
Digitale Filmtechnik
Film
Filmtrick
Schauspielkunst
Spezialeffekt
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction
  • Acting through machines : fidelity and expression from cameras to Mo-Cap
  • Behind rubber and pixels : mimesis, seamlessness, and acting achievement
  • In another's skin : typecasting, identity, and the limits of proteanism
  • Double trouble : authenticity, fakery, and concealed performance labor
  • Performing with themselves : versatility, timing, and nuance in multiple roles
  • There is no there there : making believe in composite screen space
  • Conclusion.

Ejemplares similares