|
|
|
|
LEADER |
00000cam a2200000Mi 4500 |
001 |
JSTOR_ocn990473206 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr |n|---||||| |
008 |
170624s2017 xx o 000 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d YDX
|d JSTOR
|d P@U
|d OCLCF
|d N$T
|d SOI
|d IOG
|d OCLCQ
|d UKAHL
|d OCLCQ
|d OCLCO
|d LUU
|d OCLCQ
|d INARC
|d OCLCQ
|d OCLCO
|
019 |
|
|
|a 990024015
|a 990565816
|a 993096725
|a 993513896
|a 993642465
|a 1000342788
|a 1004547933
|
020 |
|
|
|a 9781506421704
|
020 |
|
|
|a 1506421709
|
020 |
|
|
|z 1506421695
|
020 |
|
|
|z 9781506421698
|
029 |
1 |
|
|a AU@
|b 000062527875
|
035 |
|
|
|a (OCoLC)990473206
|z (OCoLC)990024015
|z (OCoLC)990565816
|z (OCoLC)993096725
|z (OCoLC)993513896
|z (OCoLC)993642465
|z (OCoLC)1000342788
|z (OCoLC)1004547933
|
037 |
|
|
|a 22573/ctt1kgkbb4
|b JSTOR
|
043 |
|
|
|a a-ii---
|
050 |
|
4 |
|a PN1995.9.R4
|b J64 2017eb
|
072 |
|
7 |
|a PER004030
|2 bisacsh
|
072 |
|
7 |
|a REL000000
|2 bisacsh
|
072 |
|
7 |
|a REL102000
|2 bisacsh
|
082 |
0 |
4 |
|a 791.43/682
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a John, Mathew P.
|
245 |
1 |
0 |
|a Film as Cultural Artifact :
|b Religious Criticism of World Cinema.
|
260 |
|
|
|a Lanham :
|b Fortress Press,
|c 2017.
|
300 |
|
|
|a 1 online resource (172 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
588 |
0 |
|
|a Print version record.
|
520 |
|
|
|a This book argues that "cultural anthropology" and "theology" offer two distinct, yet intrinsically connected theoretical frameworks to formulate a more "holistic" reading of religion from world cinema. It proposes an integrated methodology for religious criticism of film in which we look at religion as a subsystem of culture and observe how religious experiences depicted on the screen are mediated through the personal bias of the auteur and the context in which the film is produced. Through this we are able to undertake a cultural exegesis of ourselves and our neighbors in the shared experienc.
|
505 |
0 |
|
|a Foreword -- Introduction -- 1. Seeing the unseen : film as a religious experience -- 2. Theological criticism of film : a substantive lens on religion -- 3. Cultural exegesis of film : a functional lens on religion -- 4. The world of world cinema : extended boundaries of religious criticism -- 5. The elements trilogy : a cultural critique of India -- 6. Touching the screen : field research in India -- 7. Crisis of faith : a religious dialogue with the elements trilogy -- 8. Conclusion.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a Religion in motion pictures.
|
650 |
|
0 |
|a Motion pictures
|x Religious aspects.
|
650 |
|
0 |
|a Motion pictures
|z India.
|
650 |
|
6 |
|a Religion au cinéma.
|
650 |
|
6 |
|a Cinéma
|x Aspect religieux.
|
650 |
|
6 |
|a Cinéma
|z Inde.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
|
650 |
|
7 |
|a Motion pictures
|2 fast
|
650 |
|
7 |
|a Motion pictures
|x Religious aspects
|2 fast
|
650 |
|
7 |
|a Religion in motion pictures
|2 fast
|
651 |
|
7 |
|a India
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a John, Mathew P.
|t Film as Cultural Artifact : Religious Criticism of World Cinema.
|d Lanham : Fortress Press, ©2017
|z 9781506421698
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1kgqtvf
|z Texto completo
|
938 |
|
|
|a Internet Archive
|b INAR
|n filmasculturalar0000john
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH32911029
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL4873393
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 1531828
|
938 |
|
|
|a Project MUSE
|b MUSE
|n muse57886
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 14552236
|
994 |
|
|
|a 92
|b IZTAP
|