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The synthetic proposition : conceptualism and the political referent in contemporary art /

Traces two intersecting trajectories in American art. It shows how rights-based 1960s politics and the identity politics of the 1970s influenced the development of Conceptual art (with a capital 'C') into the diverse set of practices generally characterised as conceptualist (with a lower-c...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Shaked, Nizan (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2017.
Colección:Rethinking art's histories.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover; Series page; Title page; Copyright page; Dedication; Contents; Figures; Acknowledgements; Introduction; 1 Conceptual Art and identity politics: from the 1960s to the 1990s; 2 Adrian Piper: the body after conceptualism; 3 The synthetic proposition: conceptualism as political art; 4 The political referent in debate: identity, difference, representation; 5 Institutional gender: from Hans Haacke's Systems Theory to Andrea Fraser's feminist economies; A state of passionate detachment: Charles Gaines by way of conclusion; Bibliography; Index. 
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